Sidney Garner reminisces on her hair care journey as a Black woman through Dr. Aria Halliday’s concept of Black women cultural producers in her recently published book “Buy Black.”
Peter Arne Johnson theorizes how pure play streaming services like Netflix have discursively deployed audience affect and speculation to inflate their market valuations.
Hyun-jung Stephany Noh explores the inter-industrial relationship between Korean local webtoons and K-dramas amidst the growing demand for K-drama production in the SVOD era.
Hannah Wold traces some of the ways in which the horror text Scream: The TV Series received reviews that precluded it from the distinction granted to the Scream film franchise, indicating that its intended audience and the MTV brand ensured that it was left behind in discourses of quality.