A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Using professional wrestling as a case study to analyze unofficial broadcast distribution, Eleanor Patterson analyzes the role of tape trading and fan communities to the circulation of pro-wrestling media.
Read moreAmanda C. Cote and Caden Perry discuss the racialized aspects of character creation in role-playing games.
Read moreAndres Lombana-Bermudez explores Educomunicación, a media literacy movement from Latin America that inspires creative action and transformation.
Read moreIn tracing a variety of fan reactions to the critically acclaimed shows Watchmen and Lovecraft Country, Tia Alphonse illustrates how the representational and historiographic work of these programs offer exciting new directions for Black content as not only profitable to Black producers and actors, but as culturally transformative forces for a generation starved of authentic Black portrayals.
Read moreDayna Chatman discusses Black American fans’ experiences of the racially insensitive behavior in K-pop, with suggestions for what solidarity might look like in the genre’s industry and fan communities.
Read moreUsing interviews with Black female fans of principal dancer Misty Copeland, Alfred L. Martin, Jr. explores the relationship between Black fandom and the politics of Black representation.
Read moreUsing new media cooperative Defector as a case study, Austin Morris explores the ethics of online content production and what it means to do “good work” in the digital content industries.
Read moreOrquidea Morales traces the relationship between the Latinx community, Latin American audiences and horror films, claiming Latinx horror to be an inherently transnational genre.
Read moreJas L. Moultrie and Ralina L. Joseph illustrate the power and limitations of players’ voices in the midst of branded corporate activism.
Read moreUsing Tim and Fred Williams’ musical reaction videos as a case study, María Elena Cepeda discusses racial and generational relations between audiences and content creators as potential drivers of change in production and marketing in the music industry.
Read moreThe cottagecore trend is finding new expression on Tiktok as users present highly curated visions of domesticity. Caroline N. Bayne explores the myths in cottagecore aesthetics and the ways in which they present the home as a sacred space untroubled by the world of work.
Read moreThough TikTok’s algorithm appears to be highly personalized by your taste, the company’s algorithm may not have this in mind. Andrea Ruehlicke investigates issues of agency and implications of presuming the personal is self-determined.
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