Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 26.02

From Crazy Rich Asians to Netflix: The “Rebirth” of Romantic Comedies
Katherine E. Morrissey / San Francisco State University

November 4, 2019 Katherine E. Morrissey / San Francisco State University 5 comments

Katherine E. Morrissey explores the evolution of the romantic comedy and its audience since the 1980s in order to understand the contemporary “rebirth” of these films.

Read more

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine Interaction
Ryan Stoldt / The University of Iowa

November 4, 2019 Ryan Stoldt / University of Iowa 4 comments

Ryan Stoldt compares and contrasts interactive television film Black Mirror: Bandersnatch and video game Until Dawn to draw out how the formal elements of seemingly similar media can result in different types of audience engagement.

Read more

Getting in Synch with Music Videos
Laurel Westrup / University of California, Los angeles

November 4, 2019 Laurel Westrup / University of California, Los Angeles One comment

Rather than policing the boundaries of what constitutes a visual album, Laurel Westrup examines what is quintessential to the music video form using The Lumineers’ “Gloria” as a key text. 

Read more

Cord-Cutting Here, Untethering There: One Social Consequence of Cord-Cutting
Matthew Dewey / University of California, San Diego

November 4, 2019 Matthew Dewey / University of California, San Diego 2 comments

While the industry frames cord-cutting as a “life hack,” Matthew Dewey considers the social consequences that cord-cutting has on a city’s cable franchise fee.

Read more

Market Commentary: Teaching Capitalism
Kit Hughes / Colorado State University

November 4, 2019 Kit Hughes / Colorado State University One comment

Kit Hughes explores the influence and implications of midcentury NYSE-sponsored training films for everyday stock market investors.

Read more

From Catchphrase to Single: Examining Megan Thee Stallion’s “Hot Girl Summer”
Danielle Williams / Georgia Gwinnett College

November 4, 2019 Danielle Williams / Georgia Gwinnett College 2 comments

As “Hot Girl Summer” has officially come to a close, Danielle Williams traces the evolution of a catchphrase into a branding strategy for freshman rapper Megan Thee Stallion.

Read more

Syndication 201: Syndication Is Dead. Long Live Syndication.
Taylor Cole Miller / University of Georgia

November 4, 2019 Taylor Cole Miller / University of Georgia One comment

In the first installment of a three-part series, Taylor Miller breaks down the intertwined economic and industrial practices of TV syndication.

Read more

To Each Their Own Ad: Nielsen and the Addressable Future of Linear TV
Jennifer hessler / Bucknell university

November 4, 2019 Jennifer Hessler / Bucknell University One comment

Jennifer Hessler discusses how Nielsen’s new machine learning systems are leading the drive to make linear TV addressable and what this means for the future of broadcasting.

Read more

OVER*Flow: What’s in a Frame? Paratexts, Performance, and Joaquin Phoenix in Joker
Justin Rawlins / University of tulsa

October 29, 2019 Justin Rawlins / University of Tulsa One comment

Justin Rawlins examines how Joker paratexts shaped the discourse around actor Joaquin Phoenix’s performance and popular understandings of “Method” acting.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

@FlowTV Conversations…

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 277 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 154 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 101 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 97 comments

Tags

Advertising American Politics Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Masculinity Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture