Ryan Stoldt / University of Iowa

A/B Storytelling: Interactive Television, Audience Labor, and the Audience Commodity
Ryan Stoldt / University of Iowa

May 4, 2020 Ryan Stoldt / University of Iowa One comment

Ryan Stoldt argues interactive television provides a new way for television industries to gather and commoditize audience data.

Interactive Television as a Cultural Forum: Storytelling and Meaning-Making in Black Mirror: Bandersnatch
Ryan Stoldt / University of Iowa

February 3, 2020 Ryan Stoldt / University of Iowa Leave a comment

Interrogating audiences’ ability to share ideological interpretations of interactive texts, Ryan Stoldt argues people’s cultural tastes impact the range of questions they will encounter through interactive texts.

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine Interaction
Ryan Stoldt / The University of Iowa

November 4, 2019 Ryan Stoldt / University of Iowa 4 comments

Ryan Stoldt compares and contrasts interactive television film Black Mirror: Bandersnatch and video game Until Dawn to draw out how the formal elements of seemingly similar media can result in different types of audience engagement.

A/B Storytelling: Interactive Television, Audience Labor, and the Audience CommodityRyan Stoldt / University of Iowa

Interactive Television as a Cultural Forum: Storytelling and Meaning-Making in Black Mirror: BandersnatchRyan Stoldt / University of Iowa

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine InteractionRyan Stoldt / The University of Iowa

A/B Storytelling: Interactive Television, Audience Labor, and the Audience Commodity
Ryan Stoldt / University of Iowa

Interactive Television as a Cultural Forum: Storytelling and Meaning-Making in Black Mirror: Bandersnatch
Ryan Stoldt / University of Iowa

The Gamification of Television? Bandersnatch, Video Games, and Human-Machine Interaction
Ryan Stoldt / The University of Iowa