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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Laurel Westrup / University of California, Los Angeles

Laurel Westrup received her Ph.D. in Cinema and Media Studies from UCLA, where she is now a Continuing Lecturer with Writing Programs and the Honors Program. She is also Affiliated Faculty at Emerson College Los Angeles, where she teaches a seminar on music video and short musical media. Her work on music video has appeared in Projector and several collections, including ReFocus: The Films of Spike Jonze (2019). She is co-editor of Sampling Media (2014) with David Laderman and The Soundtrack Album: Listening to Media (forthcoming) with Paul N. Reinsch.

Synchronizing Song and (Diegetic) Sound in Music Videos
Laurel Westrup / University of California, Los Angeles

May 4, 2020 Laurel Westrup / University of California, Los Angeles Leave a comment

Laurel Westrup examines several contemporary popular music videos to understand how sound design deepens audience engagement with the video’s diegetic world beyond the basic narrative of the song’s lyrics.

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Synchronizing Creatives in Music Video Production
Laurel Westrup / University of California, Los Angeles

February 3, 2020 Laurel Westrup / University of California, Los Angeles 3 comments

Laurel Westrup examines the partnerships and production constraints of various music videos to illustrate its collaborative creative labor.

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Getting in Synch with Music Videos
Laurel Westrup / University of California, Los angeles

November 4, 2019 Laurel Westrup / University of California, Los Angeles One comment

Rather than policing the boundaries of what constitutes a visual album, Laurel Westrup examines what is quintessential to the music video form using The Lumineers’ “Gloria” as a key text. 

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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