Using the microcinema The Spectacle Theater as a case study, Kate Elora Rogers examines paratexts of its programming to reveal the potential in studying DIY practices in alternative screening spaces.
Laurel P. Rogers analyzes how the Duffer Brothers’ self-branding as affirmational “fanboy auteurs” affords them power and legitimacy even as, she argues, they engage in transformational practices that are more usually associated with fangirls.
Peter Arne Johnson examines the broader industrial and sociopolitical reverberations of the recent market shortening of Game Stock stock by a community of retail investors from the subreddit r/wallstreetbets.
