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Category: 26.07

Making the Cut & Amazon: The Perfect Entertainment & E-commerce Collaboration
Danielle Williams / Georgia Gwinnett College

May 4, 2020 Danielle Williams / Georgia Gwinnett College One comment

Amazon Prime has officially entered into the world of fashion reality TV with new show, Making the Cut. Danielle Williams analyzes the implications of Amazon utilizing livestream shopping as a tool to expand its platform.

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Syndication 203: A Waxy Queer Buildup
Taylor Cole Miller / University of Georgia

May 4, 2020 Taylor Cole Miller / University of Georgia One comment

In his final installment on television syndication, Taylor Cole Miller examines how particular first-run syndicated programs offered and embraced queerness.

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COVID-19: Teaching Solidarity
Kit Hughes / Colorado State University

May 4, 2020 Kit Hughes / Colorado State University One comment

Kit Hughes writes about the necessity of solidarity in academia along with other workplaces in the face of the COVID-19 pandemic.

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The Future of the Ratings Panel
Jennifer Hessler / Bucknell University

May 4, 2020 Jennifer Hessler / Bucknell University Leave a comment

Jennifer Hessler discusses the place of Nielsen and comScore’s ratings panels in the digital age.

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A/B Storytelling: Interactive Television, Audience Labor, and the Audience Commodity
Ryan Stoldt / University of Iowa

May 4, 2020 Ryan Stoldt / University of Iowa One comment

Ryan Stoldt argues interactive television provides a new way for television industries to gather and commoditize audience data.

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Synchronizing Song and (Diegetic) Sound in Music Videos
Laurel Westrup / University of California, Los Angeles

May 4, 2020 Laurel Westrup / University of California, Los Angeles Leave a comment

Laurel Westrup examines several contemporary popular music videos to understand how sound design deepens audience engagement with the video’s diegetic world beyond the basic narrative of the song’s lyrics.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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25 May

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo's Starstruck. @DearStefania

Read the full article here:
https://www.flowjournal.org/2022/05/gender-genre-authorship-in-starstruck/

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24 May

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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