A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Using new media cooperative Defector as a case study, Austin Morris explores the ethics of online content production and what it means to do “good work” in the digital content industries.
Read moreLuis Loya and Elaine Almeida utilize Communication Theory of Identity (CTI) to understand how hashtags and duet/remix affordances connect the multiplicity of queer identity performances across TikTok.
Read moreIn his final installment on television syndication, Taylor Cole Miller examines how particular first-run syndicated programs offered and embraced queerness.
Read moreJoseph Harrison takes up Netflix’s recent ambiguously political advertising campaign in Italy.
Read moreDanielle Seid offers a close reading of FX’s Pose and the ways it brings revolutionary queer and trans representations to TV.
Read moreKira Deshler explores the fan labor, viewing habits, and community building practices that define international lesbian soap opera fandom, focusing specifically on the “Juliantina” fandom.
Read moreAshlynn d’Harcourt explores the ways in which comedians Cameron Esposito and Rhea Butcher stealthily center themselves on screen and in doing so, reposition their non-normative identities as conventional, further normalizing their subversiveness.
Read moreChelsea McCracken considers Revry – the LGBT Netflix – alongside historical responses and successes of LGBTQ production companies, distribution platforms, and film festivals.
Read moreWhat does the presence of queer characters accomplish in historical shows? How much historicity do their depictions require? Britta Hanson explores the positive – and frequently negative – implications of modern-framed queer characters placed in the past.
Read moreWendy Peters examines “post-” political representations — post-racial, post-closet — and the ways in which they erase the realities of racism, homophobia, and normative privilege from the teen televisual landscape.
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