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Tag: Authorship

Are two heads better than one? Creative collaborations and job sharing in the media industries
Eva Novrup Redvall / University of Copenhagen

April 24, 2024 Eva Novrup Redvall / University of Copenhagen Leave a comment

Eva Novrup Redvall considers how directors and other industry professionals collaborate through job sharing in the film and television industries.

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“Name One Male Director”: Gender, Genre, and Authorship in Rose Matafeo’s Starstruck
Stefania Marghitu / Loyola University New Orleans

May 16, 2022 Stefania Marghitu / Loyola University New Orleans Leave a comment

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo’s Starstruck.

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On Authorship, Auteur Apologism, and #MeToo in Film & Media Studies
Stefania Marghitu / Loyola University new orleans

December 7, 2021 Stefania Marghitu / Loyola University New Orleans One comment

Stefania Marghitu reflects on auteur apologism after #MeToo and outlines productive ways for media studies scholars and teachers to refocus conversations about authorship on marginalized artists and creators.

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Synchronizing Creatives in Music Video Production
Laurel Westrup / University of California, Los Angeles

February 3, 2020 Laurel Westrup / University of California, Los Angeles 3 comments

Laurel Westrup examines the partnerships and production constraints of various music videos to illustrate its collaborative creative labor.

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Cataloging Authorship:Mad Men at the Harry Ransom Center
Kate Cronin / UT Austin

July 30, 2018 Kate Cronin / University of Texas at Austin 6 comments

Kate Cronin takes the Mad Men collection at the Harry Ransom Center as a case study to consider the role archives and archivists play in constructing critical conceptions of contemporary television authorship.

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Ghost Directors in the Auteur Machine David Church / Indiana University

April 21, 2015 David Church / Indiana University 2 comments

A consideration of why a directorial equivalent to the ghostwriters of the publishing world has yet to emerge.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
1 May

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: http://tinyurl.com/4z7wkuk8

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30 Apr

Dr. Roderik Smits explores various factors affecting what constitutes “fair pay” in the film and television industries. Read it here: http://tinyurl.com/mrn5wv9v

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29 Apr

Gerald Sim critiques Big Tech’s lobbying strategies against antitrust legislation, arguing that companies use technoliberal narratives, racialized imagery & nationalist rhetoric, such as the “China Argument,” to manipulate public opinion and more. http://tinyurl.com/ycka7652

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28 Apr

.@mediated1 argues that advertising’s integration of AI media technologies is not driven by natural market tendencies but from systemic commodification & political-economic forces, analyzed through the Political Economy of Media & Communications framework. http://tinyurl.com/3yajfcmb

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