Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 11.07

Everything You Ever Wanted to Know About Camp But Were Afraid to Ask
Quinn Miller / Hampshire College

February 10, 2010 Quinn Miller / University of Oregon One comment

An exploration of camp sensibility as illustrated by Michael Buckley’s What the Buck?! YouTube show.

Read more

The Olympic Games and the Politicization of Everyday Life
David L. Andrews / University of Maryland

February 5, 2010 David L. Andrews / University of Maryland 7 comments

A look at the often-brutal power dynamic undergirding the Olympics and its media history.

Read more

Face to Face with the E-Waste of Tomorrow at the 2010 Consumer Electronics Show
Max Dawson / Northwestern University

February 5, 2010 Max Dawson / Northwestern University 2 comments

One media scholar’s reportage of and reaction to the 2010 International Consumer Electronics Show.

Read more

Phonography: Lessons Learned from Teaching Audio Technologies
Lucas Hilderbrand / University of California, Irvine

February 5, 2010 Lucas Hilderbrand / University of California, Irvine 2 comments

Reflections on teaching cultural studies of sound technology and popular music.

Read more

Not So New
David Parry / University of Texas at Dallas

February 5, 2010 David Parry / University of Texas, Dallas 15 comments

From card catalogs to status updates, the use of the term “new” in relation to media is less than rigorous and potentially dangerous.

Read more

“I See You?”: Gender and Disability in Avatar
Michael Peterson, Laurie Beth Clark, and Lisa Nakamura

February 5, 2010 Michael Peterson, Laurie Beth Clark, & Lisa Nakamura 13 comments

In addition to critiquing Avatar’s representations of gender and disability, the authors also consider the reasons for the film’s widespread popularity.

Read more

Thinking the Box
Meghan Sutherland / Oklahoma State University

February 5, 2010 Meghan Sutherland / Oklahoma State University 4 comments

Rethinking television aesthetics and industrial production through ABC’s Conveyor Belt of Love.

Meghan Sutherland / Oklahoma State University

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture