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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Lucas Hilderbrand / University of California, Irvine

Undateable: Some Reflections on Online Dating and the Perversion of Time
Lucas Hilderbrand / University of California, Irvine

April 22, 2011 Lucas Hilderbrand / University of California, Irvine 5 comments

Lucas Hilderbrand examines how online dating alters traditional notions of romantic temporality.

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It’s Okay to Watch a Show Called Cougar Town
Lucas Hilderbrand / University of California, Irvine

February 11, 2011 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand celebrates the pleasures of the ABC sitcom Cougar Town and assures us, “It’s okay to watch.”

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The History of Postmodern: Mark Ronson’s Pop Nostalgia
Lucas Hilderbrand / University of California, Irvine

November 12, 2010 Lucas Hilderbrand / University of California, Irvine 4 comments

Lucas Hilderbrand considers how Mark Ronson’s new album reminisces about the glory days of 1980s postmodern pop.

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Sweatin’ Out the Shame
Lucas Hilderbrand / University of California, Irvine

April 23, 2010 Lucas Hilderbrand / University of California, Irvine 8 comments

A look at classic VHS workout tapes.

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Phonography: Lessons Learned from Teaching Audio Technologies
Lucas Hilderbrand / University of California, Irvine

February 5, 2010 Lucas Hilderbrand / University of California, Irvine 2 comments

Reflections on teaching cultural studies of sound technology and popular music.

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Stage Left: Glee and the Textual Politics of Difference
Lucas Hilderbrand / University of California, Irvine

December 4, 2009 Lucas Hilderbrand / University of California, Irvine 10 comments

A look at difference, marginalization, and minority politics in the new show Glee.

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Rewind: sex, lies, and videotape at 20 
Lucas Hilderbrand / University of California, Irvine

September 4, 2009 Lucas Hilderbrand / University of California, Irvine 7 comments

A thoughtful rumination on sex, lies, and videotape on its twentieth anniversary.

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“Digital” is not a noun 
 Lucas Hilderbrand / University of California, Irvine 

July 23, 2009 Lucas Hilderbrand / University of California, Irvine 5 comments

An insightful rumination on the use of the word “digital” and its implications.

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Justice Is a Bitch: On Damages as a Liberal Revenge Fantasy 
 Lucas Hilderbrand / University of California, Irvine  

June 12, 2009 Lucas Hilderbrand / University of California, Irvine One comment

An analysis of FX’s Damages as a program about law “out-of-order,” enacting a liberal revenge fantasy through Glenn Close’s character, Patty Hewes.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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