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A Critical Forum on Media and Culture

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Category: 10.01

And the winner of Britain’s Got Talent is . . .
Lisa W. Kelly / University of Glasgow

June 13, 2009 Lisa W. Kelly / University of Glasgow 2 comments

A look at some of the issues raised by Britain’s Got Talent including the emotional labor of both audiences and contestants and advertising revenue on television and the internet.

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Justice Is a Bitch: On Damages as a Liberal Revenge Fantasy 
 Lucas Hilderbrand / University of California, Irvine  

June 12, 2009 Lucas Hilderbrand / University of California, Irvine One comment

An analysis of FX’s Damages as a program about law “out-of-order,” enacting a liberal revenge fantasy through Glenn Close’s character, Patty Hewes.

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No Rerun Nation: Canadian Television and Cultural Amnesia
Serra Tinic/ University of Alberta

June 12, 2009 Serra Tinic / University of Alberta 5 comments

An examination of how the absence of reruns of Canadian programming on Canadian television effects Canadian nostalgia and national memory.

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When Satellites Fall: On the Trails of Cosmos 954 and USA 193
Lisa Parks / UC Santa Barbara

June 12, 2009 Lisa Parks / University of California - Santa Barbara 8 comments

What happens when falling satellites become high profile events.

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Towards a Typology of Dance TV Contestants
Christine Quail / McMaster University

June 12, 2009 Christine Quail / McMaster University 3 comments

A consideration of the varying motivations inspiring dancers to audition for So You Think You Can Dance Canada.

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Gypsy Stars in the New Europe

June 12, 2009 Aniko Imre / University of Southern California 3 comments

Aniko Imre / University of Southern California Los Angeles

A discussion of Gypsy musicians, reality, and television stars in New Europe

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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