Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 10.01

And the winner of Britain’s Got Talent is . . .
Lisa W. Kelly / University of Glasgow

June 13, 2009 Lisa W. Kelly / University of Glasgow 2 comments

A look at some of the issues raised by Britain’s Got Talent including the emotional labor of both audiences and contestants and advertising revenue on television and the internet.

Read more

Justice Is a Bitch: On Damages as a Liberal Revenge Fantasy 
 Lucas Hilderbrand / University of California, Irvine  

June 12, 2009 Lucas Hilderbrand / University of California, Irvine One comment

An analysis of FX’s Damages as a program about law “out-of-order,” enacting a liberal revenge fantasy through Glenn Close’s character, Patty Hewes.

Read more

No Rerun Nation: Canadian Television and Cultural Amnesia
Serra Tinic/ University of Alberta

June 12, 2009 Serra Tinic / University of Alberta 5 comments

An examination of how the absence of reruns of Canadian programming on Canadian television effects Canadian nostalgia and national memory.

Read more

When Satellites Fall: On the Trails of Cosmos 954 and USA 193
Lisa Parks / UC Santa Barbara

June 12, 2009 Lisa Parks / University of California - Santa Barbara 8 comments

What happens when falling satellites become high profile events.

Read more

Towards a Typology of Dance TV Contestants
Christine Quail / McMaster University

June 12, 2009 Christine Quail / McMaster University 3 comments

A consideration of the varying motivations inspiring dancers to audition for So You Think You Can Dance Canada.

Read more

Gypsy Stars in the New Europe

June 12, 2009 Aniko Imre / University of Southern California 3 comments

Aniko Imre / University of Southern California Los Angeles

A discussion of Gypsy musicians, reality, and television stars in New Europe

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture