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Tag: Authorship

“Name One Male Director”: Gender, Genre, and Authorship in Rose Matafeo’s Starstruck
Stefania Marghitu / Loyola University New Orleans

May 16, 2022 Stefania Marghitu / Loyola University New Orleans One comment

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo’s Starstruck.

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On Authorship, Auteur Apologism, and #MeToo in Film & Media Studies
Stefania Marghitu / Loyola University new orleans

December 7, 2021 Stefania Marghitu / Loyola University New Orleans One comment

Stefania Marghitu reflects on auteur apologism after #MeToo and outlines productive ways for media studies scholars and teachers to refocus conversations about authorship on marginalized artists and creators.

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Synchronizing Creatives in Music Video Production
Laurel Westrup / University of California, Los Angeles

February 3, 2020 Laurel Westrup / University of California, Los Angeles 3 comments

Laurel Westrup examines the partnerships and production constraints of various music videos to illustrate its collaborative creative labor.

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Cataloging Authorship:Mad Men at the Harry Ransom Center
Kate Cronin / UT Austin

July 30, 2018 Kate Cronin / University of Texas at Austin 6 comments

Kate Cronin takes the Mad Men collection at the Harry Ransom Center as a case study to consider the role archives and archivists play in constructing critical conceptions of contemporary television authorship.

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Ghost Directors in the Auteur Machine David Church / Indiana University

April 21, 2015 David Church / Indiana University 2 comments

A consideration of why a directorial equivalent to the ghostwriters of the publishing world has yet to emerge.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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Sidney Garner reminisces on her hair care journey as a Black woman through Dr. Aria Halliday's concept of Black women cultural producers. @GarnerSidney

https://www.flowjournal.org/2022/08/hair-journey-black-women/

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15 Aug

Peter Arne Johnson theorizes how pure play streaming services like Netflix have discursively deployed audience affect and speculation to inflate their market valuations. @itsnottvitspete

https://www.flowjournal.org/2022/08/speculative-affect-streaming/

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12 Aug

Tara Coughlin examines the usefulness of the creative labor of video essayists to streaming services such as Amazon Prime and Netflix. @TaraCough

https://www.flowjournal.org/2022/08/the-branded-video-essay/

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