Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Tag: 26.04

Synchronizing Creatives in Music Video Production
Laurel Westrup / University of California, Los Angeles

February 3, 2020 Laurel Westrup / University of California, Los Angeles 3 comments

Laurel Westrup examines the partnerships and production constraints of various music videos to illustrate its collaborative creative labor.

Read more

The Reflexivity of Rigged Ratings: Nielsen in our Cultural Memory
Jennifer Hessler / Bucknell University

February 3, 2020 Jennifer Hessler / Bucknell University One comment

Jennifer Hessler discusses how television’s recurring trope of rigged ratings has shaped our cultural memory of Nielsen.

Read more

Mr. Sandler Goes to Netflix
Danielle Williams / Georgia Gwinnett College

February 3, 2020 Danielle Williams / Georgia Gwinnett College One comment

According to Netflix, Adam Sandler dominated the platform in 2019. Danielle Williams breaks down his success by looking at the numbers.

Read more

Syndication 202: Make Reruns Great Again
Taylor Cole Miller / University of Georgia

February 3, 2020 Taylor Cole Miller / University of Georgia One comment

The second installment of his three-part series sees Taylor Miller consider the implications of edits made to syndicated TV programs on their textuality and reception.

Read more

Kids and Cable: Teaching Regulatory Circumvention
Kit Hughes / Colorado State University

February 3, 2020 Kit Hughes / Colorado State University 2 comments

Kit Hughes explores the cable industry’s dual missions to uphold quality programming for children while pushing for deregulation.

Read more

Interactive Television as a Cultural Forum: Storytelling and Meaning-Making in Black Mirror: Bandersnatch
Ryan Stoldt / University of Iowa

February 3, 2020 Ryan Stoldt / University of Iowa Leave a comment

Interrogating audiences’ ability to share ideological interpretations of interactive texts, Ryan Stoldt argues people’s cultural tastes impact the range of questions they will encounter through interactive texts.

Read more

From Crazy Rich Asians to Netflix: The “Rebirth” of Romantic Comedies, pt. 2
Katherine E. Morrissey / San Francisco State University

February 3, 2020 Katherine E. Morrissey / San Francisco State University 2 comments

Katherine E. Morrissey explores how the recent successes (and failures) of Crazy Rich Asians and To All The Boys I’ve Loved Before illustrate two emerging distribution strategies for rom-coms within the increasingly global media market.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

@FlowTV Conversations…

@FlowTVFollow

FLOW
lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

Reply on Twitter 1531675753556885506Retweet on Twitter 15316757535568855062Like on Twitter 153167575355688550615Twitter 1531675753556885506
FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

Reply on Twitter 1531636621275058176Retweet on Twitter 15316366212750581762Like on Twitter 15316366212750581767Twitter 1531636621275058176
FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

Reply on Twitter 1531274233375956994Retweet on Twitter 15312742333759569941Like on Twitter 15312742333759569947Twitter 1531274233375956994
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 272 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 149 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 99 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 96 comments

Tags

Academia Advertising American Politics Celebrity/Stardom Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Whiteness Youth Culture