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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 11.03

Of American Slouch and English Fervour
David L. Andrews / University of Maryland

December 5, 2009 David L. Andrews / University of Maryland 8 comments

A revealing look into English and American football crowds, their historic relationships to the sport, and their complicated defiance of corporate interference in the game.

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True Love Will Find Daniel Johnston in the End (on Your iPhone)
Quinn Miller / Hampshire College

December 4, 2009 Quinn Miller / University of Oregon 4 comments

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Stage Left: Glee and the Textual Politics of Difference
Lucas Hilderbrand / University of California, Irvine

December 4, 2009 Lucas Hilderbrand / University of California, Irvine 10 comments

A look at difference, marginalization, and minority politics in the new show Glee.

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Being on Television
Meghan Sutherland / Oklahoma State University

December 4, 2009 Meghan Sutherland / Oklahoma State University 4 comments

An examination of the holiday broadcast considering “liveness” and ontological themes revolving within television studies

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Networking Families: Battlestar Galactica and the Values of Quality
Jordan Lavender-Smith / City University of New York

December 4, 2009 Jordan Lavender-Smith / City University of New York 3 comments

A consideration of the tropes of ‘quality’ in Battlestar Galactica.

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New Media is Neither New nor Media. Discuss.
David Parry / University of Texas at Dallas

December 4, 2009 David Parry / University of Texas, Dallas 5 comments

An exploration of the the continued use of the terms “media” and “new,” prevents us from focusing on how this change from analog to digital is more than just a media shift.

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Reading Narrative Excess in MMA
Matthew Ferrari / University of Massachusetts-Amherst

December 4, 2009 Matthew Ferrari / University of Massachusetts - Amherst 7 comments

An analysis of the psychodynamics of televised mixed martial arts and “pauses” as narrative excess

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Vampire Politics

December 4, 2009 Michael Peterson, Laurie Beth Clark, & Lisa Nakamura 11 comments

Reading the Southern politics of the opening credits for HBO’s True Blood.

Michael Peterson / University of Wisconsin, Laurie Beth Clark / University of Wisconsin and Lisa Nakamura / University of Illinois

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

@FlowTV Conversations…

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FLOW
FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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