It Was a Filmways Imprint, Darling
Quinn Miller / University of Oregon
Quinn Miller discusses the Filmways company and the potential of using our everyday environments for research.
Read moreTag: Volume 28
It Was a Filmways Imprint, Darling
From “Relevance” to “Reckoning” or, Channeling Black Lives Matter on TV — Part One
Brandy Monk-Payton / Fordham University
Brandy Monk-Payton explores the shift from racial relevance to an active reckoning with race through the lens of Black Lives Matter television.
Read moreThe Ethics of Televisual Emotions: Looking Back on 9/11
Philip Scepanski / Marist College
Philip Scepanski describes the effects of television’s engagement with 9/11 on our emotional responses to national trauma.
Read moreRemix a Myth & Sing a Black Girl’s Song
Ravynn K. Stringfield / William & Mary
Ravynn K. Stringfield identifies how Black female artists and authors have “reimagined” historical and previously white narratives.
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