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A Critical Forum on Media and Culture

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Tag: HBO

Punk, Disco, Porn—The Deuce ’77—Part 3
Matthew Tchepikova-Treon / The University of Minnesota

May 24, 2019 Matthew Tchepikova-Treon 11 comments

In his third piece on HBO’s The Deuce, Matthew Tchepikova-Treon explores the role of pornography, music, and the female body in the show’s second season.

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Legitimating/ed Complexity and Religion in The Leftovers
Kiwi Lanier / University of Texas at Austin

July 26, 2016 Kiwi Lanier One comment

Kiwi Lanier examines the ways in which HBO’s The Leftovers allows an audience with waning participation in organized religion to explore a variety of spiritual attitudes and beliefs in a compelling fictional environment.

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Strategies of Innovation in ‘High-End’ TV Drama: The Contribution of Cable 
 Trisha Dunleavy / Victoria University of Wellington 

March 6, 2009 Trisha Dunleavy / Victoria University, New Zealand 6 comments

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The Allusions of Television

January 26, 2006 David Lavery / Brunel University 9 comments

by: David Lavery / Middle Tennessee State University
TV’s taking a bad rap within the halls of the academy. Here are a few reasons why it’s not just a “vast wasteland” for the literarily challenged.

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Pass the Remote!

April 1, 2005 Natalie Cannon, Zak Salih, and Angela Nemecek 8 comments

by: Natalie Cannon, Zak Salih, and Angela Nemecek
HBO’s Carnivale and the valorization of freak culture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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21h

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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