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Trisha Dunleavy / Victoria University, New Zealand

Dr. Dunleavy completed her MA and PhD between 1994 and 1998, during the formation of Auckland University’s Department of Film, Television and Media Studies and, in 1999, was among the first of its graduates to gain a PhD. Prior to her appointment at Victoria, Dr. Dunleavy lectured in Television and Film Studies at De Montfort University, Leicester. In 2001, she returned to New Zealand to help establish a new programme in Media Studies at Victoria University, acting as its Programme Director until early 2003. Dr. Dunleavy specialises in Television Studies, with her current research focussed on transitions in British and American TV drama, including those derived from the increased provision and competition in television since 1990. Informed by international developments in television’s institutional ecology and industry, her recent publications have examined the changing position of ‘high production value’ TV programming, specifically drama.

Public Television in a Small Country: the New Zealand ‘Experiment’ 20 Years On 
 Trisha Dunleavy / Victoria University of Wellington  

May 15, 2009 Trisha Dunleavy / Victoria University, New Zealand One comment

A reassessment of New Zealand’s public service television experiment on the twentieth anniversary of its implementation.

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Strategies of Innovation in ‘High-End’ TV Drama: The Contribution of Cable 
 Trisha Dunleavy / Victoria University of Wellington 

March 6, 2009 Trisha Dunleavy / Victoria University, New Zealand 6 comments

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Hybridity in TV Sitcom: The Case of Comedy Verité 
 Trisha Dunleavy / Victoria University of Wellington 

December 11, 2008 Trisha Dunleavy / Victoria University, New Zealand 10 comments

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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