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Janani Subramanian / University of Southern California

An Eye for an Eye: Remakes and Repression
Janani Subramanian/University of Southern California

April 22, 2011 Janani Subramanian / University of Southern California 6 comments

Janani Subramanian examines stylistic distinctions in film remakes, noting the cultural, narrative and stylistic contrasts between contexts of production.

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R.I.P., F.N.L.
Janani Subramanian / University of Southern California

February 25, 2011 Janani Subramanian / University of Southern California 7 comments

The final season of Friday Night Lights has concluded on DirecTV but will be resurrected in April, 2011, on NBC. This column is equal parts clear eyes and full heart in delivering the show’s eulogy.

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Fairly Normal Activity: Horror and the Static Camera
Janani Subramanian/ University of Southern California

December 3, 2010 Janani Subramanian / University of Southern California One comment

When “nothing is happening” in Paranormal Activity 1 and 2, the empty room scenes as captured by static cameras in the Paranormal Activity franchise become suspenseful moments of audience reflexivity.

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Life: Oprah Gone Wild
Janani Subramanian / University of Southern California

August 27, 2010 Janani Subramanian / University of Southern California Leave a comment

Oprah’s flair for creating consumable emotions is situated as a domesticating force underscoring the anthropomorphic narrative in the Discovery Channel series, “Life.”

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In the Shadow of a Metaphor: The Vampire Diaries and Southern History
Janani Subramanian / University of Southern California

July 16, 2010 Janani Subramanian / University of Southern California 6 comments

A compelling exploration of revisionist storytelling methods at work in The Vampire Diaries.

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A Bitter Pill: Nurse Jackie and a Discourse of Discontent
Janani Subramanian / University of Southern California

June 3, 2010 Janani Subramanian / University of Southern California 3 comments

An exploration of Showtime’s Nurse Jackie as another entrant into the growing group of older female protagonists across both network and cable programming.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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FlowTV
flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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flowtv FLOW @flowtv ·
26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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flowtv FLOW @flowtv ·
23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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