Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Dan Leopard / St. Mary's College of California

Micro-Ethnographies of the Screen: Sign-Off

December 1, 2006 Dan Leopard / St. Mary's College of California 7 comments

by: Dan Leopard / St. Mary’s College of California
For his final column, Dan Leopard examines the television sign off.

Read more

Micro-Ethnographies of the Screen: Classical Baby

June 16, 2006 Dan Leopard / St. Mary's College of California Leave a comment

by: Dan Leopard / St. Mary’s College of California
Part of screen series; discussion of media and the baby spectator, HBO’s “Classical Baby” DVD, how to raise a smart, discerning little person. Adorno; mass culture; baby’s place in it…

Read more

Micro-Ethnographies of the Screen: The Last Screen on Earth

April 14, 2006 Dan Leopard / St. Mary's College of California One comment

By: Dan Leopard / University of Southern California
How photographs connect us with the imagined consciousness of the photographer.

Read more

Micro-Ethnographies of the Screen: Sundance 2006

February 10, 2006 Dan Leopard / St. Mary's College of California 2 comments

by: Dan Leopard / St. Mary’s College of California
A discussion of the small screens, Sundance, and the future of independent film distribution.

Read more

Micro-Ethnographies of the Screen: Flatworld

December 2, 2005 Dan Leopard / St. Mary's College of California One comment

by: Dan Leopard / St. Mary’s College of California
In the second part in his discussion of screens in our daily lives, Leopard considers the implicit training and conditioning of ICT’s virtual and miltary-funded Flatworld Project.

Read more

Micro-Ethnographies of the Screen: The Supermarket

October 7, 2005 Dan Leopard / St. Mary's College of California 3 comments

by: Dan Leopard / University of Southern California
Dan Leopard considers the screens we ignore as we shop for food.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
14h

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

Reply on Twitter 1987948366630695071 Retweet on Twitter 1987948366630695071 Like on Twitter 1987948366630695071 Twitter 1987948366630695071
flowtv FLOW @flowtv ·
6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

Reply on Twitter 1986568385329520868 Retweet on Twitter 1986568385329520868 Like on Twitter 1986568385329520868 Twitter 1986568385329520868
flowtv FLOW @flowtv ·
5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

Reply on Twitter 1986138451927048203 Retweet on Twitter 1986138451927048203 Like on Twitter 1986138451927048203 Twitter 1986138451927048203
flowtv FLOW @flowtv ·
4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

Reply on Twitter 1985831190905978886 Retweet on Twitter 1985831190905978886 Like on Twitter 1985831190905978886 1 Twitter 1985831190905978886
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 92 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture