Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Andrew Scahill / George Mason University

Andrew Scahill is a term assistant professor at George Mason University. He received his PhD from the University of Texas at Austin in the Radio-Television-Film department. His current research focuses on the representation of childhood and science fiction, and he previously published work on disability and eugenics, queer spectatorship, Cold War culture, children's media, Japanese cinema, and contemporary horror. Professor Scahill has taught a variety of courses, including Film History, Film Theory, Cold War Cinema, Gothic Literature and Film, and The Frankenstein Mythos in Cinema. In 2010, he was awarded the Robert De Niro Fellowship at the Harry Ransom Center to study the archive of Jack Harris, a behind-the-scenes photographer during the studio era. In addition, Dr. Scahill has also served as Coordinating Editor for the film and television studies journal The Velvet Light Trap.

Motel Rebates: The Slasher Reboot as Makeunder Genre
Andrew Scahill / George Mason University

March 28, 2013 Andrew Scahill / George Mason University 3 comments

Andrew Scahill examines the new A&E series Bates Hotes within the broader context of rebooting in film and television.

Read more

Lindsay Lohan: Star Image Succubus
Andrew Scahill / George Mason University

January 22, 2013 Andrew Scahill / George Mason University 6 comments

Lohan, and narratives of stars falling and arising from the ashes.

Read more

Defanged: The Curious Case of the Family-Friendly Vampire
Andrew Scahill / George Mason University

November 5, 2012 Andrew Scahill / George Mason University One comment

A consideration of heteronormative trends in Disney’s The Little Vampire.

Read more

Pigmalion: Animality and Failure in Here Comes Honey Boo Boo
Andrew Scahill/George Mason University

September 10, 2012 Andrew Scahill / George Mason University 9 comments

Here Comes Honey Boo Boo and the “white trash spectacle”

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
Retweet on Twitter FLOW Retweeted
flowtv FLOW @flowtv ·
21 Nov

@rahul_mukh explores the infrastructures and services underpinning the shift to mobile streaming in India. Discover more here: https://www.flowjournal.org/2023/11/streaming-indias-neomobile-audiences/

Reply on Twitter 1727001424955944979 Retweet on Twitter 1727001424955944979 4 Like on Twitter 1727001424955944979 5 Twitter 1727001424955944979
flowtv FLOW @flowtv ·
25 Nov

In the final column of Flow 30.2, Lauren Steimer discusses the unacknowledged dangers of on-set stunt work. Read more here: https://www.flowjournal.org/2023/11/accident-the-true-dangers-of-stunt-work/

Reply on Twitter 1728450975763939368 Retweet on Twitter 1728450975763939368 2 Like on Twitter 1728450975763939368 1 Twitter 1728450975763939368
flowtv FLOW @flowtv ·
24 Nov

Maggie Rossman's look at audience reception of the film Barbie demonstrates that even simplistic feminist discourse can lead to complicated affective responses. Read the article here: https://www.flowjournal.org/2023/11/becoming-the-barbie-spectator/

Reply on Twitter 1728093620656627793 Retweet on Twitter 1728093620656627793 10 Like on Twitter 1728093620656627793 24 Twitter 1728093620656627793
flowtv FLOW @flowtv ·
23 Nov

This year (and all years), Flow is thankful for the hard work of our columnists, who share their exciting scholarship with us, and our @UTRTF grad student volunteers, without whom our issues would never be published. Thanks to all who support Flow! Read the latest issue here:

FLOW @FlowTV

This issue has everything — OTT infrastructure, sports management, stunt labor, speculative design, and Barbie! Check out the fantastic articles by @Courtney_BD, @rahul_mukh, Branden Buehler, Brianna Dym, Margaret Rossman, and Lauren Steimer here: http://flowjournal.org

Reply on Twitter 1727748849270182069 Retweet on Twitter 1727748849270182069 1 Like on Twitter 1727748849270182069 6 Twitter 1727748849270182069
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 188 comments
  • Legal Fictions

    June 10, 2005 120 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 100 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 93 comments
  • La telenovela mexicana en el ciberespacio

    April 20, 2007 72 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture