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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Andrew Scahill / George Mason University

Andrew Scahill is a term assistant professor at George Mason University. He received his PhD from the University of Texas at Austin in the Radio-Television-Film department. His current research focuses on the representation of childhood and science fiction, and he previously published work on disability and eugenics, queer spectatorship, Cold War culture, children's media, Japanese cinema, and contemporary horror. Professor Scahill has taught a variety of courses, including Film History, Film Theory, Cold War Cinema, Gothic Literature and Film, and The Frankenstein Mythos in Cinema. In 2010, he was awarded the Robert De Niro Fellowship at the Harry Ransom Center to study the archive of Jack Harris, a behind-the-scenes photographer during the studio era. In addition, Dr. Scahill has also served as Coordinating Editor for the film and television studies journal The Velvet Light Trap.

Motel Rebates: The Slasher Reboot as Makeunder Genre
Andrew Scahill / George Mason University

March 28, 2013 Andrew Scahill / George Mason University 3 comments

Andrew Scahill examines the new A&E series Bates Hotes within the broader context of rebooting in film and television.

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Lindsay Lohan: Star Image Succubus
Andrew Scahill / George Mason University

January 22, 2013 Andrew Scahill / George Mason University 5 comments

Lohan, and narratives of stars falling and arising from the ashes.

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Defanged: The Curious Case of the Family-Friendly Vampire
Andrew Scahill / George Mason University

November 5, 2012 Andrew Scahill / George Mason University One comment

A consideration of heteronormative trends in Disney’s The Little Vampire.

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Pigmalion: Animality and Failure in Here Comes Honey Boo Boo
Andrew Scahill/George Mason University

September 10, 2012 Andrew Scahill / George Mason University 9 comments

Here Comes Honey Boo Boo and the “white trash spectacle”

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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