Protected: Over*Flow: “Birth is Violent”: Television’s Response to Post-Roe Reproductive Politics
Reut Odinak / Boston University
There is no excerpt because this is a protected post.
Read moreA Critical Forum on Media and Culture
A Critical Forum on Media and Culture
There is no excerpt because this is a protected post.
Read moreHerold and Morse reassess the “bad object” status of the 2022 semi-satirical gay rom-com Bros and discuss its deconstruction of cis gay masculinity.
Read moreKelly Coyne dissects the racial and gender politics that underlie the “dumb blonde” stereotype.
Read moreLauren Rouse and Mel Stanfill present the results of a survey of users of popular fan fiction hosting site Archive of Our Own (AO3), providing updated statistics on fan fiction readers and writers.
Read moreDan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
Read moreWendy Peters argues that the contemporary and decentralized context of music production, distribution, and social media promotion diversified and transformed pop music by enabling Lil Nas X—a Black and openly gay star—to rise.
Read moreRiziki Millanzi assesses the Snowpiercer television series depiction of intersectional politics, arguing the show ignores the nuances and varied experiences of marginalized peoples to oppression.
Read moreMoa Eriksson Krutrök explores the ways social media like TikTok can offer individuals social support to process grief and trauma. Unfortunately, meme culture can radically recontextualize the personal and exploit already vulnerable people.
Read moreKelly Coyne addresses “cruel optimism” in The Chair and The Bold Type, critiquing how American capitalism motivates its workers with the mantra that advancement, and the power that comes with it, leads to satisfaction.
Read moreVincent L. Stephens discusses the timely reboot of Mary Hartman, Mary Hartman in relation to the recent resurgence of white supremacist organizing in the United States symbolized by the January 6, 2021 insurrection.
Read moreStephanie Melissa Perez explores how On My Block’s Monse experiences her own objectification and challenges stereotypes of ingenues and Black and Latinx girls.
Read morePeter Arne Johnson examines the broader industrial and sociopolitical reverberations of the recent market shortening of Game Stock stock by a community of retail investors from the subreddit r/wallstreetbets.
Read more