Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Author: Camille DeBose DePaul University

The Ambiguously Gay Duo of Sherlock: Sexual Aesthetics and the Limits of Cinematic Language
Camille DeBose / DePaul University

October 14, 2012 Camille DeBose DePaul University 10 comments

An examination of the role of sexuality on BBC’s Sherlock.

Read more

The Hunger Games and Obama’s “Post-racial” America
Camille Debose / DePaul University

August 27, 2012 Camille DeBose DePaul University 13 comments

A consideration of post-racial America through the lens of The Hunger Games.

Read more

How Lena Dunham Set Me Free
Camille Debose / DePaul University

July 17, 2012 Camille DeBose DePaul University 7 comments

A consideration of “Girls” creator Lena Dunham’s response to complaints about her show’s lack of diversity.

Read more

Spying while “Black”: The curious failure of The Undercovers
Camille DeBose / DePaul University

September 16, 2011 Camille DeBose DePaul University 12 comments

Perhaps the curious failure of the Undercovers highlights our own failure to see blackness in all its diversity. More importantly it highlights the effects of an unwillingness to produce diverse representations of blackness in media with black Americans being complicit in that failure.

Read more

Mining Collective Memory: Fairytales grow up, take their shirts off
Camille DeBose / DePaul University

August 4, 2011 Camille DeBose DePaul University 4 comments

Between true stories, original screenplays, faithful adaptations, and the spirit of the source text.

Read more

Universalized Pathology: How Pretty Little Liars De-contextualizes Bad Behavior for Profit
Camille DeBose / DePaul University

June 23, 2011 Camille DeBose DePaul University 12 comments

A look at the portrayal of teenage sexuality and objectification on Pretty Little Liars.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Over*Flow: "I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

Over*Flow: “One Train!”: Race, Gender and Class in Snowpiercer
Riziki Millanzi / University of Sussex

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

Reply on Twitter 1616898930687500288Retweet on Twitter 1616898930687500288Like on Twitter 1616898930687500288Twitter 1616898930687500288
FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

Reply on Twitter 1613921267521884164Retweet on Twitter 16139212675218841644Like on Twitter 16139212675218841643Twitter 1613921267521884164
disabledphdjess rauchberg@disabledphd·
6 Jan

‼️ 10 more days to submit! ‼️

@TomDivon & I are guest editing this special issue on BeReal and platform authenticities for @FlowTV.

This might be one of the *first* scholarly forums on BeReal! Submit your essays by Jan 15 to FlowJournalEditors@gmail.com. And please RT! https://twitter.com/FlowTV/status/1599820038071992320

Reply on Twitter 1611401255875739648Retweet on Twitter 16114012558757396486Like on Twitter 16114012558757396487Twitter 1611401255875739648
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 277 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 154 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 100 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 97 comments

Tags

Advertising American Politics Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Masculinity Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture