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Category: 5.09

Why Do I Love Television So Very Much?

March 9, 2007 Alan McKee / Queensland University of Technology 95 comments

by: Alan McKee / Queensland University of Technology
Why is television my favourite medium, moreso than cinema, radio, even than books? Why does art make me so angry, television so joyful?

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The Crying Game: Why Television Brings Us to Tears

March 9, 2007 David Lavery / Brunel University 23 comments

by: David Lavery / Brunel University
On media and the observation that we still have no valid, philosophically sophisticated theory of why we laugh and cry.

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Prime Time Bullies

March 9, 2007 Gareth Palmer / University of Salford 19 comments

by: Gareth Palmer / University of Salford
In programmes ranging from Extreme Makeover to Ten Years Younger our flexible selves are seen to be empowered by experts striving to bring forth ‘the real you.’

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Let Me Tell You—

March 9, 2007 Craig Jacobsen / Mesa Community College 6 comments

by: Craig Jacobsen / Mesa Community College
What’s new, or at least notable by degree, is the attention being given to the portrayal of storytelling within broadcast network programming.

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Network Television’s Ongoing Struggle with Web-based Television

March 9, 2007 Ray Cha / Independent Scholar 15 comments

by: Ray Cha / Independent Scholar
Peers accepted, provide online channels for established media.

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Women are from Mars? Part 2

March 9, 2007 Lynne Joyrich / Brown University 3 comments

by: Lynne Joyrich / Brown University
How does–or should–narrative television deal with issues of sexual violence? Lynne Joyrich considers the meaning of rape on Veronica Mars…and in our culture as a whole.

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Sex, Love, Television (Pt. 2)

March 9, 2007 Judith Halberstam / University of Southern California 2 comments

by: Judith Halberstam / University of Southern California
At a time when Hollywood has very little use for women of a certain age, perhaps television is where women over 40 can go to find roles beyond the bitter mother-in-law, the predatory divorcee or the lonely spinster.

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YouTube vs. Main Stream Media:
Kissing Cousins or Feuding Siblings?

March 9, 2007 Sonja Baumer / University of California-Berkeley 17 comments

by: Sonja Baumer / University of California-Berkeley
Why YouTube is highly unlikely to displace other media including the mainstream media.

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Catfight in My Name is Earl as a Site of Feminist Resistance

March 9, 2007 Debbie James Smith / Wayne State University 25 comments

by: Debbie James Smith / Wayne State University
My Name is Earl, a catfight, and the cultural debate over what is acceptable behavior for lower class mothers.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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