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A Critical Forum on Media and Culture

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Category: 21.04

Cinema’s Disruptive Audiences, Beyond the Multiplex
Dr. David Church / Indiana University

March 1, 2015 David Church / Indiana University Leave a comment

An examination of social comportment within different cinema spaces and the role of audience behavior in shaping the moviegoing experience.

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Beyond Privacy: Concerns about social surveillance
Jacqueline Ryan Vickery / University of North Texas

March 1, 2015 Jacqueline Vickery / University of North Texas One comment

The author examines the role of surveillance in silencing expressions where expressions can be taken out of context.

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“SNL 40” and the Death of Liveness
Nick Marx / Colorado State University

March 1, 2015 Nick Marx / Colorado State University One comment

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The Cost of Convenience: Exclusive Licensing and Subscription Video On Demand
Karen Petruska / University of California, Santa Barbara

March 1, 2015 Karen Petruska / UC Santa Barbara One comment

As television audiences become fragmented, questions regarding distribution of content are legion.

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I Am The One Who Acts: Breaking Down Bryan Cranston’s Breaking Bad Performance
R. Colin Tait / Texas Christian University

March 1, 2015 R. Colin Tait / Texas Christian University Leave a comment

The author arguments that television acting needs to be taken seriously within the context of television’s commercial and critical resurgence.

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Ranking Archer
Matt Sienkiewicz / Boston College

March 1, 2015 Matt Sienkiewicz / Boston College Leave a comment

A psychoanalytic look into Archer.

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Stasis, Change, and Televisual Comic Book Film Franchising
Derek Johnson / University of Wisconsin-Madison

March 1, 2015 Derek Johnson / University of Wisconsin One comment

A look into Marvel’s film franchises and which heroes appeal to markets.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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