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A Critical Forum on Media and Culture

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Category: 13.09

R.I.P., F.N.L.
Janani Subramanian / University of Southern California

February 25, 2011 Janani Subramanian / University of Southern California 7 comments

The final season of Friday Night Lights has concluded on DirecTV but will be resurrected in April, 2011, on NBC. This column is equal parts clear eyes and full heart in delivering the show’s eulogy.

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Screen Text
Julia Lesage / University of Oregon

February 25, 2011 Julia Lesage / University of Oregon 7 comments

A consideration of how the iPad and other new media products facilitate on-screen reading and change the face of both academic research and leisure time.

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The Visual Style of Jet Lag in the Work of Fiona Tan
Konrad Ng / University of Hawai’i at Mānoa

February 25, 2011 Konrad Ng / University of Hawai'i at Mānoa One comment

An exploration of jet lag as fragmented pulls of disorienting imagery in the work of visual artist Fiona Tan.

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“My Wife Calls Him My Boyfriend”: Gary Barlow and Robbie Williams’ Reconciliatory Bromance
Hannah Hamad / Massey University

February 25, 2011 Hannah Hamad / Massey University 2 comments

This article explores the media narrative and constant scrutiny of the “bromance” between Robbie Williams and Gary Barlow, members of the “boy band” Take That.

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Never Say Never, Insurge Pictures, and the Future of Independent Film
Robert C. Sickels / Whitman College

February 25, 2011 Robert C. Sickels / Whitman College 4 comments

The “independent” film Never Say Never, the initial production of Insurge Pictures, signals the difficulties faced by independent filmmakers attempting to break into the film industry.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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