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Tag: 29.01

What the Indie Sleaze Revival Can Learn From Indie Camp
Morgan Bimm / St. Francis Xavier University

October 10, 2022 Morgan Bimm / St. Francis Xavier University 5 comments

Morgan Bimm writes on the indie sleaze revival movement and the contemporary camp effect.

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What the Facebook Papers Taught Us About Affect and Design
Alexander Cho / University of California, Santa Barbara

October 10, 2022 Alexander Cho / University of California, Santa Barbara Leave a comment

On the one-year anniversary of the Facebook Papers, Alexander Cho makes a case for why critical and cultural studies scholars ought to be considering the design and affect of social media.

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Is Everyone Where They Should Be? Safety, Surveillance, and Diverse Students
Elizabeth Ellcessor / University of Virginia

October 10, 2022 Elizabeth Ellcessor / University of Virginia Leave a comment

This article addresses campus mediations of safety and emergency services in the era of the mobile application. Through fieldwork and drawing on contemporary data, this article looks at how surveillance and privacy are mediated through “surveillance safety” and other such narratives.

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The Weight of Personal Agency in Netflix’s Maid
Jess King / DePaul University

October 10, 2022 Jess King / DePaul University One comment

Jess King reflects on the intersectional barriers to agency depicted in Netflix’s Maid (2021), a series about a young lower-class mother struggling to create stability for herself and her daughter.

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Imma with her im/material boxes
Zizi Li / University of California, Los Angeles

October 10, 2022 Zizi Li / University of California, Los Angeles Leave a comment

Zizi Li explores what influencer Imma’s virtual images convey about digital and physical realities.

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Media Made Easy: Platforms and the Rise of Media-as-a-Service
Emily West / University of Massachusetts Amherst

October 10, 2022 Emily West / University of Massachusetts Amherst Leave a comment

Emily West details the shift towards the consumption of media-as-a-service and its implications for audience subjectivity in the streaming era.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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