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A Critical Forum on Media and Culture

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Tag: 28.05

A Love letter to ALT Black Girls
KáLyn Banks Coghill / Virginia Commonwealth University

March 14, 2022 KáLyn Banks Coghill / Virginia Commonwealth University One comment

KáLyn Banks Coghill details and describes the world and work of alt(erntative) Black girls.

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From “Relevance” to “Reckoning” or, Channeling Black Lives Matter on TV – Part Two
Brandy Monk-Payton / Fordham University

March 14, 2022 Brandy Monk-Payton / Fordham University One comment

In the second part of her series focusing on Black Lives Matter television, Brandy Monk-Payton interrogates the reboot of The Wonder Years as a site for nostalgia and sentimentalism as constitutive of Black subjectivity.

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AND JUST LIKE THAT… ADDRESSING THE FEMALE INVISIBILITY OF THE MIDDLE
Betty Kaklamanidou / Aristotle University of Thessaloniki

March 14, 2022 Betty Kaklamanidou / Aristotle University of Thessaloniki Leave a comment

Betty Kaklamanidou addresses And Just Like That… and the quasi-invisibility of women in their late forties and fifties on television.

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I Want My MTV Books History
Quinn Miller / University of Oregon

March 14, 2022 Quinn Miller / University of Oregon One comment

Quinn Miller explores the music-TV-publishing industry through a discussion of the 1998 novel Floating published by MTV Books.

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LAW AND ORDER AND TV CRIME: FIGHTING FOR NARRATIVE CONTROL ON THE RADIO CRIME SITCOM
Catherine Martin / Denison University

March 14, 2022 Catherine Martin / Denison University Leave a comment

Catherine Martin describes the dynamics of power and gender in the way actors and producers used their voices in detective radio shows.

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Racebending the “Superhero Girlfriend”
Ravynn K. Stringfield / William & Mary

March 14, 2022 Ravynn K. Stringfield / William & Mary One comment

Ravynn K. Stringfield discusses the implications of racebending in superhero narratives, especially in relation to Black women and misogynoir.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FlowTVFLOW@FlowTV·
11h

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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FlowTVFLOW@FlowTV·
20 May

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community. @sinwelleffect

Read more at:
https://www.flowjournal.org/2022/05/portrait-of-an-art-house-during-a-pandemic-part-2/

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FlowTVFLOW@FlowTV·
19 May

Maggie Hennefeld discusses efforts to curate 99 silent films spotlighting early film feminism, and discusses the challenges of navigating the early feminist film archive. @magshenny

Read more at:
https://www.flowjournal.org/2022/05/cinemas-first-nasty-women/

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