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Tag: 25.02

From Inclusion Riders to Cultivating Care: What Lifetime Can Teach The Industry about Entertainment By and For Women
Miranda J. Banks and Kristin J. Lieb / Emerson College

January 29, 2019 Miranda Banks / University of Southern California and Kristin Lieb / Emerson College One comment

Miranda Banks and Kristin Lieb map how The Lifetime Television Network has cultivated an increasingly inclusive and compelling model of media made by and for diverse women.

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Just Saying No: Labour, Gender, and Refusal in Twitch Streaming
Alison Harvey / University of Leicester

January 29, 2019 Alison Harvey / University of Leicester Leave a comment

Alison Harvey contextualizes Twitch streamer Tyler “Ninja” Blevins’ refusal to stream with female gamers within digital culture practices and historically gendered patterns of labour.

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The Female Labor of Lennon Parham and Jessica St. Clair Playing House
Kelly Kessler / DePaul University

January 29, 2019 Kelly Kessler 2 comments

Kelly Kessler considers Playing House and the considerable labor performed by its creator/stars Lennon Parham and Jessica St. Claire to nurture the program’s content, advertisers, and fans.

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Fandom, Fan Studies, and the New Education
Josh Stenger / Wheaton College (Massachusetts)

January 29, 2019 Josh Stenger Leave a comment

Josh Stenger considers how fan studies is uniquely positioned to help colleges and universities reexamine, and hopefully even transform, how, whom, and why they educate.

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Punk, Disco, Porn—The Deuce ’77—Part 1
Matthew Tchepikova-Treon / the University of Minnesota, Twin Cities

January 29, 2019 Matthew Tchepikova-Treon Leave a comment

Matthew Tchepikova-Treon analyzes the complex depiction of seventies punk culture in Season Two of The Deuce with specific focus on historical contextualization and formal aesthetics of the (sub)cultural movement.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

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flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

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