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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Tag: 22.07

Miniskirts and Wigs: The Gender Politics of Cross-Dressing on Lip Sync Battle
Britta Hanson / University of Texas at Austin

July 5, 2016 Britta Hanson 9 comments

Britta Hanson examines the politics of cross-dressing and gender-bending performance on the popular show Lip Sync Battle, which ultimately contains such performances and reifies heteronormative gender roles.

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A Part and Apart: Hawaii and Domestic Satellite Broadcasting, 1967-1971
Selena Dickey / University of Texas Austin

July 5, 2016 Selena Dickey One comment

Selena Dickey analyzes the way industry rhetoric shaped understandings of new telecommunication satellite technology and Hawaii’s regional identity, often configured as both a part of the domestic and apart from it.

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Games Done Quick: Performing Live for Charity
Kaitie Hilburn / University of Texas at Austin

July 5, 2016 Kaitie Hilburn Leave a comment

Kaitie Hilburn examines the dual role of gamers as both performers and audience within the speedrunning community using the charity marathon Games Done Quick as a case study.

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Player Two Wins: Announce Your Game Second
Cameron Lindsey / University of Texas at Austin

July 5, 2016 Cameron Lindsey One comment

The reveal trailers for Call of Duty: Infinite Warfare and Battlefield 1 have become the most disliked and liked trailers on YouTube, respectively. Cameron Lindsey thinks this says less about the games themselves, and more about the marketing.

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A Girl Divided: the Fragmented Shōjo in Perfect Blue
Dylan Levy / University of Texas at Austin

July 5, 2016 Dylan Levy 2 comments

Dylan Levy examines the shōjo image through the character Mima and her alter-ego in Satoshi Kon’s Perfect Blue .

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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magshennyMaggie Hennefeld@magshenny·
16 May

I'm thrilled to share this short piece about @NastySilents just out in the new issue of @FlowTV!! I talk about our approach to curating the messiness of the feminist archive (w/a bit of dishing about a celebrity intro snafu). I hope you enjoy! 🎞️🍽️https://www.flowjournal.org/2022/05/cinemas-first-nasty-women/

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FlowTVFLOW@FlowTV·
16 May

Our last issue of the semester is live! Run to http://flowjournal.org to check out Flow Volume 28.07 featuring @hmwheatley, @magshenny, @DearStefania, @sinwelleffect, @CaraDickason, @cinefeminism, and @LaProfaMolina!

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cinemariasfMaria San Filippo@cinemariasf·
16 May

Appreciated shout-out to Maude's "very special episode" on which I wrote @FlowTV last fall: https://www.flowjournal.org/2021/11/maude-and-me/
@MatthewGilbert's TV shows that understood a woman’s right to choose https://www.bostonglobe.com/2022/05/12/arts/tv-shows-that-understood-womans-right-choose/?event=event25
@BostonGlobe @N4TVM @Emerson_ORCS @scmswomen @LTorchin @ashdharcourt

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