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Kit Hughes / Colorado State University

Kit Hughes is Assistant professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. She specializes in television history, nontheatrical film, studies of labor and capitalism, and histories of technology. Her forthcoming book, Television at Work: Industrial Media and American Labor (Oxford University Press), explores how American business developed workplace television as a medium of industrial efficiency, ideological orientation, and corporate expansion. Her research on sponsored film, workplace media, early video formats, and archival methods has appeared in Film History, Media, Culture & Society, Television & New Media, American Archivist, and elsewhere. As a one-time UT M.A. student, she served as Columns editor for FLOW (2008-09).

COVID-19: Teaching Solidarity
Kit Hughes / Colorado State University

May 4, 2020 Kit Hughes / Colorado State University One comment

Kit Hughes writes about the necessity of solidarity in academia along with other workplaces in the face of the COVID-19 pandemic.

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Kids and Cable: Teaching Regulatory Circumvention
Kit Hughes / Colorado State University

February 3, 2020 Kit Hughes / Colorado State University Leave a comment

Kit Hughes explores the cable industry’s dual missions to uphold quality programming for children while pushing for deregulation.

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Market Commentary: Teaching Capitalism
Kit Hughes / Colorado State University

November 4, 2019 Kit Hughes / Colorado State University One comment

Kit Hughes explores the influence and implications of midcentury NYSE-sponsored training films for everyday stock market investors.

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Insert Clip Here: Supradiegetic Aesthetics of Medium and Flight of the Conchords
Kit Hughes / FLOW Staff

September 18, 2008 Kit Hughes / Colorado State University 4 comments

A look at the unusual similarities between two otherwise incredibly disparate shows.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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flowtv FLOW @flowtv ·
6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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