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A Critical Forum on Media and Culture

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A Critical Forum on Media and Culture

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Jennifer Warren/Independent Scholar

Seeing is Believing

March 19, 2007 Jennifer Warren/Independent Scholar 2 comments

by: Jennifer Warren / Independent Scholar

Critics of photography envisioned a world where people had consumed the image and thought they had experienced the thing itself. It seems they weren’t far off the mark.

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The Final Frontier: Myth and Meaning in Science Fiction Television

January 12, 2007 Jennifer Warren/Independent Scholar 2 comments

by: Jennifer Warren / Independent Scholar, San Francisco Bay Area
What are we trying to tell ourselves about ourselves through the lens of science fiction narrative?

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How Do I Explain This?

October 20, 2006 Jennifer Warren/Independent Scholar 11 comments

by: Jennifer Warren / Independent Scholar
At Burning Man, everywhere you look, there are art installations and art cars and art bikes and art camps and artful people.

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The Summer of the Superheroes

July 28, 2006 Jennifer Warren/Independent Scholar 3 comments

by: Jennifer Warren / Independent Scholar
When I walked out of Superman I found myself wondering about the filter Superman’s seductive mythology created, with characters clearly defined as Heroes or Villains. And how did that visual mythology affect how we viewed the world?

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The Dancer or the Dance?: Uses of Television and Video

May 12, 2006 Jennifer Warren/Independent Scholar 3 comments

by: Jennifer Warren / Independent Scholar
Internationally acclaimed dance troupe Capacitor uses video to add texture and depth to performances.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
10 Nov

Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect

Read it here: http://tinyurl.com/5ywctjz5

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6 Nov

Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment.

Read it here: http://tinyurl.com/56v38frs

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5 Nov

Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing

Read it here: http://tinyurl.com/3knva3wp

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4 Nov

In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power.

Read it here: http://tinyurl.com/2xft2667

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Popular Posts

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  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
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