Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 9.10

Aurally, Visually, Virally: Choreographing Race From Fosse to Beyoncé
Priscilla Peña Ovalle / University of Oregon

April 5, 2009 Priscilla Peña Ovalle / University of Oregon 8 comments

An examination of the racialized bodies in “Meixican Breakfast” and its derivations.

Read more

P2P TV: Ethical Considerations
Michael Z. Newman / University of Wisconsin-Milwaukee

April 3, 2009 Michael Z. Newman / University of Wisconsin-Milwaukee 8 comments

An examination of the ethical considerations circulating around p2p file sharing.

Read more

Blogotheques and Black Cabs: Popular Music and Urban Place
Ben Aslinger / Bentley College

April 3, 2009 Ben Aslinger / Bentley College 7 comments

An examination of the intersection of music and performance in the urban setting and new media.

Read more

Life on Mars as Seen From the United States: The Cultural Politics of Imports and Adaptations
Serra Tinic/ The University of Alberta

April 3, 2009 Serra Tinic / University of Alberta 5 comments

Serra Tinic considers the transplantation of the UK police series Life on Mars to the US setting.

Read more

The Girl from Pawnee
Jeffrey Sconce / Northwestern University

April 3, 2009 Jeffrey Sconce / Northwestern University 6 comments

90s comedy and the contemporary inversion.

Read more

The Right to Play: Youth, Video Gaming, and the Law
Carly A. Kocurek / University of Texas – Austin

April 2, 2009 Carly Kocurek / Illinois Institute of Technology 6 comments

Can some video games be too violent for minors? Not according to a recent California court ruling.

Read more

Crowdsourced Advertising: How We Outperform Madison Avenue
Daren C. Brabham / University of Utah

April 2, 2009 Daren C. Brabham / University of North Carolina at Chapel Hill 5 comments

Large companies are turning to Web users for ad content, but sometimes they get more than they bargain for.

Read more

“I’m Riding a Panda!”: Japanese Cult Media and Hipster Cosmopolitanism
Martin Roberts / The New School

April 2, 2009 Martin Roberts / The New School 6 comments

A consideration of Euro-American subcultural fascination with Japan.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture