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Category: 5.04

Micro-Ethnographies of the Screen: Sign-Off

December 1, 2006 Dan Leopard / St. Mary's College of California 7 comments

by: Dan Leopard / St. Mary’s College of California
For his final column, Dan Leopard examines the television sign off.

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Rooting for Betty

December 1, 2006 Mary Beltran / University of Texas - Austin 11 comments

by: Mary Beltrán / University of Wisconsin-Madison
Ugly Betty: Are beauty and worthiness equated with whiteness?

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Post CSI-TV: The Ecstasies of Dexter

December 1, 2006 Michele Byers / Saint Mary's University 4 comments

by: Michele Byers / Saint Mary’s University
How does Dexter compare with network-series CSI? The programs have similar themes and topics, but different in tones and humor, perhaps associated with network/non-network programming.

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Civilized Viewing and its Discontents

December 1, 2006 Lynne Joyrich / Brown University 3 comments

by: Lynne Joyrich / Brown University
Is watching television (whether alone or with others) good for you? Lynne Joyrich examines the constructions of the self and the familial, and their implications for TV viewers, in shows from Dexter to Ugly Betty.

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Mixing Mythology, Science and Fiction: The Sci-fi Genre in Indian Film and Television

December 1, 2006 Shanti Kumar / University of Texas 19 comments

by: Shanti Kumar / University of Texas-Austin
With a limited but growing pool of experienced talent that is increasingly becoming adept in the use of animation and special-effects technologies, the Indian animation industry is looking both inward and outward for business and creative opportunities.

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ESPN’s “Full Circle” and Media Convergence

December 1, 2006 Harper Cossar / Georgia Gwinnett College 6 comments

by: Harper Cossar / Georgia State University
As ESPN continues to experiment with its broad-reaching network of media outlets, we can be certain that more unique ways to cover sporting events will follow, and for sports fans, that is a good thing.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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25 May

Stefania Marghitu explores the intersections between gender, genre, and authorship via Rose Matafeo's Starstruck. @DearStefania

Read the full article here:
https://www.flowjournal.org/2022/05/gender-genre-authorship-in-starstruck/

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24 May

Cara Dickason examines how corporations sell Smart TVs as domestic surveillance technologies through gendered formulas. @CaraDickason

Read the full article here:
https://www.flowjournal.org/2022/05/smart-tv-surveillance/

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23 May

Isabel Molina-Guzmán discusses how Bridgerton's escapist narrative produces a nostalgia that simultaneously erases histories of racial conflict, generates pleasure in non-white audiences, and maintains white subjectivity. @LaProfaMolina

Read more at:
https://www.flowjournal.org/2022/05/bridgertons-romance-with-racial-nostalgia/

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