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Category: 4.08

Total Information Awareness – The Media Version

July 7, 2006 Mark Andrejevic / University of Iowa 2 comments

by: Mark Andrejevic / University of Iowa
Commercial broadcasting has, from its inception, been about monitoring viewers; this is why the history of the ratings industry has become entwined with that of military and police surveillance.

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Strategic Liberalism and Media Reform

July 7, 2006 John McMurria / DePaul University One comment

by John McMurria / DePaul University
Are we in for more of the same deregulatory policies and neoliberal principles that informed the 1996 Telecommunications Act?

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Lost Generation

July 7, 2006 Amanda D. Lotz / University of Michigan 2 comments

by Amanda Lotz / University of Michigan
How today’s network television depicts (or fails to depict) the changing lives of Generation X.

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Honey, We’re Killing the Kids

July 7, 2006 Laurie Ouelette / University of Minnesota 2 comments

by: Laurie Ouellette / University of Minnesota
How does the revitalization of social work through television politicize personal choice and parental responsibility? And, what do the televisual excesses represented on Honey We’re Killing the Kids reveal about the politics of desire?

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Darkness and Light: The Changing Mood of the CSI Franchise

July 7, 2006 Nichola Dobson / Independent Scholar 3 comments

by: Nichola Dobson / Independent Scholar
A closer look at changes in the stylistic conventions of the CSI franchise due to audience reaction.

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The Dynamics of Political Re-Branding

July 7, 2006 John Corner / University of Liverpool One comment

by: John Corner / University of Liverpool
The impact of commercial marketing techniques in the political landscape.

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Family, Fate and the Finale of Will and Grace

July 7, 2006 Kathleen Battles & Wendy Hilton-Morrow / Denison University and Augustana College 5 comments

by: Kathleen Battles / Denison University and Wendy Hilton-Morrow / Augustana College
On the limitations and possibilities of imagining families in a non-heteronormative way in the finale of Will & Grace.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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