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A Critical Forum on Media and Culture

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Author: Mark Andrejevic / University of Iowa

Cybernetic TV

March 27, 2008 Mark Andrejevic / University of Iowa One comment


A reprint of Mark Andrejevic’s examination of interactive television.

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Watching TV Without Pity

April 5, 2007 Mark Andrejevic / University of Iowa 3 comments

by: Mark Andrejevic / University of Iowa
Rip-on-your-favorite-show sites elevate the attempt to make bad TV more entertaining to a popular art form. In the Television Without Pity world, the show is no longer the final product, but rather the raw material to which value is added.

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Reality TV Is Undemocratic

September 22, 2006 Mark Andrejevic / University of Iowa 9 comments

by: Mark Andrejevic / University of Iowa
In its broadest sense, the term “democratic” is invoked to indicate that the public has been given a choice of some sort, or even more generally that it has been provided with the opportunity to “participate.” Are the limited forms of engagement that Reality TV provides truly “democratic”?

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Total Information Awareness – The Media Version

July 7, 2006 Mark Andrejevic / University of Iowa 2 comments

by: Mark Andrejevic / University of Iowa
Commercial broadcasting has, from its inception, been about monitoring viewers; this is why the history of the ratings industry has become entwined with that of military and police surveillance.

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Life on Animal Planet

April 28, 2006 Mark Andrejevic / University of Iowa 2 comments

By: Mark Andrejevic / University of Iowa
Animal Planet documentaries offer a disturbing mirror through which to view the pathologies of our current social reality.

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Watching TV Poker

February 24, 2006 Mark Andrejevic / University of Iowa 3 comments

by: Mark Andrejevic / University of Iowa
Andrejevic considers the cultural logic of the recent surge in televised poker tourneys.

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What a Long, Bad Trip It’s Been

December 16, 2005 Mark Andrejevic / University of Iowa One comment

by: Mark Andrejevic / University of Iowa
The voyeurism and surveillance of MTV’s One Bad Trip become inverted after the first season, leaving audiences to wonder; who’s watching, and who’s performing?

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Cybernetic TV

October 21, 2005 Mark Andrejevic / University of Iowa 2 comments

by: Mark Andrejevic / University of Iowa
An exploration of the ways in which “interactive” television “adjusts on the fly” to meet the needs of programmers and viewers.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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