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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 12.03

I Love Shari: My Queerly Feminist Life with TV
Alexander Doty / Indiana University

July 2, 2010 Alexander Doty / Indiana University 2 comments

A queer look back at the author’s kid and teen TV icons.

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Pepot and the Archive: Cinephilia and the Archive Crisis of Philippine Cinema
Bliss Cua Lim / University of California, Irvine

July 2, 2010 Bliss Cua Lim / University of California, Irvine 5 comments

An exploration of the historical and current institutional archival issues for Philippine cinema alongside a native filmmaker’s alternative, artistic preservation of the nation’s cinematic history

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Niche Market, Global Scale: Simulcasting Anime Online
Amanda Landa /Flow Staff

July 2, 2010 Amanda Landa / FLOW Staff 3 comments

A discussion of the recent growth in simulcasting anime content and television distribution across national borders.

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“That’s All I Intend to Share Right Now”: Adultery and Privacy in The Good Wife
Suzanne Leonard / Simmons College

July 2, 2010 Suzanne Leonard / Simmons College 7 comments

Suzanne Leonard deconstructs the notion of the martyred wife in The Good Wife.

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Iggy Does Dinah!: Musical Performance On Talk TV
Kyle Barnett / Bellarmine University

July 2, 2010 Kyle Barnett / Bellarmine University 4 comments

Iggy Pop, Dinah Shore, and the “rituals of hospitalities” on daytime talk shows.

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Familiarity Breeds Desire: Seriality and the Televisual Title Sequence
Lisa Coulthard / University of British Columbia

July 2, 2010 Lisa Coulthard / University of British Columbia 8 comments

Examining the role of opening title sequences as a space of pleasure in image and sound, setting the stage, tone and atmosphere for the ensuing action.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

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FlowTVFLOW@FlowTV·
16h

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

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FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

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FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

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