A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Using the new HBO series Westworld, Myles McNutt discusses the shifts in television and media coverage that feeds theory-driven conversations and enables a set of forensic fan practices.
Read moreBrand Loyalty vs. show loyalty, the strange case of Virgin vs. Sky
by: Nichola Dobson / Independent Scholar
Caught in between disputing media cable providers, audiences find alternative ways to circumvent the
media’s economically driven programming strategies.
Let Me Tell You—
by: Craig Jacobsen / Mesa Community College
What’s new, or at least notable by degree, is the attention being given to the portrayal of storytelling within broadcast network programming.
Producers, Publics, and Podcasts: Where Does Television Happen?
by: Derek Kompare / Southern Methodist University
An investigation of the tangled creative relationship between fans and the television industry in the age of the internet.
Speculation with Spoilers
by: Jonathan Gray / Fordham University
It is now possible to discover upcoming plot twists in your favorite television series with a little internet research. How does the proliferation of “spoilers” in online fan communities change the way we understand television spectatorship?
We Are So Screwed: Invasion TV
by: Derek Kompare / Southern Methodist University
Making sense of the supernatural on prime-time.
Get Lost in a Good Story: Serial Creativity on a Desert Island
by: David Lavery / Middle Tennessee State University
Can Lost sustain its suspense while retaining the good faith of and credibility with a deeply inquisitive viewership, determined to puzzle out its mysteries?
Television For Swing States
by: Henry Jenkins / Massachusetts Institute of Technology
How television can help to create common ground among citizens.