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A Critical Forum on Media and Culture

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Tag: 29.01

What the Indie Sleaze Revival Can Learn From Indie Camp
Morgan Bimm / St. Francis Xavier University

October 10, 2022 Morgan Bimm / St. Francis Xavier University 5 comments

Morgan Bimm writes on the indie sleaze revival movement and the contemporary camp effect.

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What the Facebook Papers Taught Us About Affect and Design
Alexander Cho / University of California, Santa Barbara

October 10, 2022 Alexander Cho / University of California, Santa Barbara 2 comments

On the one-year anniversary of the Facebook Papers, Alexander Cho makes a case for why critical and cultural studies scholars ought to be considering the design and affect of social media.

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Is Everyone Where They Should Be? Safety, Surveillance, and Diverse Students
Elizabeth Ellcessor / University of Virginia

October 10, 2022 Elizabeth Ellcessor / University of Virginia One comment

This article addresses campus mediations of safety and emergency services in the era of the mobile application. Through fieldwork and drawing on contemporary data, this article looks at how surveillance and privacy are mediated through “surveillance safety” and other such narratives.

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The Weight of Personal Agency in Netflix’s Maid
Jess King / DePaul University

October 10, 2022 Jess King / DePaul University One comment

Jess King reflects on the intersectional barriers to agency depicted in Netflix’s Maid (2021), a series about a young lower-class mother struggling to create stability for herself and her daughter.

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Imma with her im/material boxes
Zizi Li / University of California, Los Angeles

October 10, 2022 Zizi Li / University of California, Los Angeles 2 comments

Zizi Li explores what influencer Imma’s virtual images convey about digital and physical realities.

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Media Made Easy: Platforms and the Rise of Media-as-a-Service
Emily West / University of Massachusetts Amherst

October 10, 2022 Emily West / University of Massachusetts Amherst One comment

Emily West details the shift towards the consumption of media-as-a-service and its implications for audience subjectivity in the streaming era.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

@FlowTV Conversations…

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FlowTVFLOW@FlowTV·
22 Mar

New in Over*Flow: @kellymcoyne examines cultural anxiety and ambivalence around the "dumb blonde" stereotype in "Blonde is a Kind of Person": A Cultural History of the Dumb Blonde. Check it out! https://www.flowjournal.org/2023/03/cultural-history-dumb-blonde/

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FlowTVFLOW@FlowTV·
6 Mar

Monday, Flow day!! Volume 29.05 is now live on the website. ! Head on over to http://flowjournal.org to read the first installment of work by @bimmbles , @trilliz, @kingisafink, @influencerlabor, and @westemilye!

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FlowTVFLOW@FlowTV·
22 Feb

New in Over*Flow: @rouselaurenc and @melstanfill present the results of a survey of users of popular fan fiction hosting site http://archiveofourown.org, providing updated statistics on fan fiction readers and writers. https://www.flowjournal.org/2023/02/fan-demographics-on-ao3/

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