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Tag: 27.06

Combatting Crunch from the Margins: How Hierarchies of “Realness” Complicate Video Game Production
Amanda C. Cote and Brandon Harris / UNIVERSITY OF OREGON

April 5, 2021 Amanda C. Cote and Brandon Harris / University of Oregon 2 comments

Amanda C. Cote and Brandon Harris discuss the myth of high-quality video games coming as a result of overworked video game developers.

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Remediating Liveness
Alyx Vesey / University of Alabama

April 5, 2021 Alyx Vesey / University of Alabama 3 comments

Drawing on examples such as NPR’s Tiny Desk (Home) Concert and Instagram’s Verzuz battles, Alyx Vesey explores how musicians have utilized online platforms as alternatives to live concerts in the age of COVID-19.

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“It Feels Right to Me”: Epiphanies, Erotic Power, and Eve’s Bayou
Christina N. Baker / University of California, Merced

April 5, 2021 Christina N. Baker / University of California, Merced Leave a comment

Through the work of Judylyn Ryan and Audre Lorde, Christina N. Baker explores filmmaker Kasi Lemmons’s films, Eve’s Bayou and Harriet, through epiphany, intuition, spirituality, and the erotic.

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Guillermo del Toro: From Mexico to the World
Orquidea Morales / State University of New York, Old Westbury

April 5, 2021 Orquidea Morales / State University of New York, Old Westbury Leave a comment

Using Mexican director Guillermo del Toro as a case study, Orquidea Morales discusses how his films are shaped by transnationalism and consequently exemplify the contested nature of the genre of Latinx Horror.

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Pepsi Is Back in the Game (Show)
Cynthia B. Meyers / College of Mount Saint Vincent

April 5, 2021 Cynthia Meyers / College of Mount Saint Vincent 2 comments

Cynthia Meyers explores several Pepsi advertising campaigns dating back to the 1940s to contextualize the company’s latest venture: sponsoring a new game show, Cherries Wild.

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Crossing the Sonic Color Line: TV Voiceover Narration in Never Have I Ever
Crystal Camargo / Northwestern University

April 5, 2021 Crystal Camargo / Northwestern University Leave a comment

Crystal Camargo grapples with how the cultural specificity of Mindy Kaling’s Netflix comedy Never Have I Ever is diluted by the sonic whiteness of the show’s narrator, John McEnroe.

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Reactionary Influencers and the Construction of White Conservative Victimhood
Erika M. Heredia and Mel Stanfill / University of Central Florida

April 5, 2021 Erika M. Heredia and Mel Stanfill / University of Central Florida 3 comments

Erika M. Heredia and Mel Stanfill examine “reactionary influencers,” who combine right-wing politics, reality-TV style provocations, and new social media opportunities for fame and fortune.

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Creative and Participatory Responses to Disinformation: The Case of the Bees 🐝 in the 2018 Colombian Presidential Elections
Andres Lombana-Bermudez / Universidad Javeriana

April 5, 2021 Andres Lombana-Bermudez / Universidad Javeriana Leave a comment

Recounting the case of the bees during the 2018 Columbian Presidential Election, Andres Lombana-Bermudez shows how digital participatory culture can effectively debunk disinformation.

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Ugly Crying, This is Us and the Discursive Construct of Emotional Excess
Eleanor Patterson / Auburn University

April 5, 2021 Eleanor Patterson / Auburn University Leave a comment

Eleanor Patterson analyzes how the emotional excess of This is Us connects it to historically feminized theorizations of mass culture and melodrama.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “It’s Not Steroids, It’s Testosterone!”: Deconstructing Gender and Sex in Bros (2022)
Lauren Herold / Kenyon College and Nicole Erin Morse / Florida Atlantic University

"Blonde is a Kind of Person": A Cultural History of the Dumb Blonde
Kelly Coyne / Northwestern University

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A critical forum on media and culture brought to you by the graduate students of @UTRTF.

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flowtv FLOW @flowtv ·
20 Sep

New in Over*Flow: @renherold and @cinefeminism examine the deconstruction of cis gay masculinity in the 2022 semi-satirical gay rom-com Bros, reassessing its "bad object" status. Read more here: https://www.flowjournal.org/2023/09/over-flow-gender-sex-bros/

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horrorlex Horror Lex® @horrorlex ·
16 Aug

NOPE is about the eye of the camera, but also Black defiance of it. Read Sophia Abbey's brief but excellent piece at @FlowTV, "Gazing Upwards: Spectacle, Surveillance, and Resistance in Nope." #OpenAccess
https://www.flowjournal.org/2023/08/gazing-upwards/

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flowtv FLOW @flowtv ·
2 May

Happy Tuesday, and happy Volume 29.07 release day! The final issue of Flow in the spring features work from @baker_r_r, @Naledgesince82, @caitmckinney, @MichaelSocolow, and Michele White! Read the full issue here: http://flowjournal.org

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flowtv FLOW @flowtv ·
7 Apr

TGIF!! Celebrate by reading vol. 29.06-up on the site now. Thx to @jenholt13 @rebeccasholt @kevindriscoll and @TrueIcaRash for their contributions!!

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