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by: Robert Schrag / North Carolina State University
How digital creative tools blur the lines between fantasy and reality, creation and cutting-and-pasting, and why that might not be such a good thing.

by: David Gurney / FLOW Staff
Welcome to Issue 5.

by: Jessica Birthisel, Lindsay Bosch, and Beth Bonnstetter
A consideration of the Internet generation’s experience of human-to-human relations.

by: Jason Mittell / Middlebury College
I wish to make a claim that may be the most controversial position as yet argued in Flow‘s brief but vibrant first year: Lost is the best show on American broadcast television.

by: Dana Polan / New York University
Increasingly, U. S. television reveals itself to have a voracious appetite for material, and there seems to be no limits to its ability to generate new subject matter. There is no visuality or topic so eccentric that television can’t go after them.

by: Walter Metz / Montana State University at Bozeman
Canceling shows such as Enterprise is amputating parts of our collective history with television.

by: Daniel Marcus / Goucher College
What is Citibank selling?