Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Author: Sarah E. S. Sinwell / University of Utah

Sarah E. S. Sinwell is an Associate Professor in the Department of Film and Media Arts at the University of Utah. She has published essays on Kickstarter, Green Porno, and Dexter in A Companion to American Indie Film, Women’s Studies Quarterly, and Asexualities: Feminist and Queer Perspectives. Her recently published book, Indie Cinema Online (Rutgers University Press, 2020), examines shifting modes of independent film distribution and exhibition on YouTube, Netflix, Hulu, and SundanceTV as a means of redefining independent cinema in an era of media convergence.

Portrait of an Art house during a pandemic, part 2
Sarah E. S. Sinwell / university of utah

May 16, 2022 Sarah E. S. Sinwell / University of Utah Leave a comment

Sarah E.S. Sinwell details how one art house cinema continues to adapt to the pandemic while serving its local community.

Read more

Portrait of an Art House during a Pandemic, Part One
Sarah E. S. Sinwell / University of Utah

December 7, 2021 Sarah E. S. Sinwell / University of Utah 3 comments

Sarah E. S. Sinwell gives an account of how one art house cinema, the Salt Lake Film Society, managed through the pandemic.

Read more

Over*Flow: Festival of Disruption: A Report from the 2020 Sundance Film Festival
Sarah E. S. Sinwell / University of Utah

February 11, 2020 Sarah E. S. Sinwell / University of Utah Leave a comment

Sarah E. S. Sinwell reflects on Sundance 2020’s biggest films and distribution deals, as well the diversity of the directors at the festival.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Fan Demographics on Archive of Our Own
Lauren Rouse & Mel Stanfill / University of Central Florida

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
6 Mar

Monday, Flow day!! Volume 29.05 is now live on the website. ! Head on over to http://flowjournal.org to read the first installment of work by @bimmbles , @trilliz, @kingisafink, @influencerlabor, and @westemilye!

Reply on Twitter 1632773532873531392Retweet on Twitter 163277353287353139211Like on Twitter 16327735328735313928Twitter 1632773532873531392
FlowTVFLOW@FlowTV·
22 Feb

New in Over*Flow: @rouselaurenc and @melstanfill present the results of a survey of users of popular fan fiction hosting site http://archiveofourown.org, providing updated statistics on fan fiction readers and writers. https://www.flowjournal.org/2023/02/fan-demographics-on-ao3/

Reply on Twitter 1628530472077623299Retweet on Twitter 162853047207762329925Like on Twitter 162853047207762329930Twitter 1628530472077623299
FlowTVFLOW@FlowTV·
14 Feb

Happy Flow-entines Day! We are proud to announce the release of special issue Volume 29.04, "The Struggle Is (for) Real: Cultivating Authenticity in the 'BeReal' age"! Thanks to guest editors @TomDivon and @disabledphd. Read the full issue here: http://flowjournal.org

Reply on Twitter 1625607060451917824Retweet on Twitter 162560706045191782412Like on Twitter 162560706045191782434Twitter 1625607060451917824
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 278 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 154 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 102 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 97 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture