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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Author: Kit Hughes / Colorado State University

Kit Hughes is Assistant professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. She specializes in television history, nontheatrical film, studies of labor and capitalism, and histories of technology. Her forthcoming book, Television at Work: Industrial Media and American Labor (Oxford University Press), explores how American business developed workplace television as a medium of industrial efficiency, ideological orientation, and corporate expansion. Her research on sponsored film, workplace media, early video formats, and archival methods has appeared in Film History, Media, Culture & Society, Television & New Media, American Archivist, and elsewhere. As a one-time UT M.A. student, she served as Columns editor for FLOW (2008-09).

COVID-19: Teaching Solidarity
Kit Hughes / Colorado State University

May 4, 2020 Kit Hughes / Colorado State University One comment

Kit Hughes writes about the necessity of solidarity in academia along with other workplaces in the face of the COVID-19 pandemic.

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Kids and Cable: Teaching Regulatory Circumvention
Kit Hughes / Colorado State University

February 3, 2020 Kit Hughes / Colorado State University 2 comments

Kit Hughes explores the cable industry’s dual missions to uphold quality programming for children while pushing for deregulation.

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Market Commentary: Teaching Capitalism
Kit Hughes / Colorado State University

November 4, 2019 Kit Hughes / Colorado State University One comment

Kit Hughes explores the influence and implications of midcentury NYSE-sponsored training films for everyday stock market investors.

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Insert Clip Here: Supradiegetic Aesthetics of Medium and Flight of the Conchords
Kit Hughes / FLOW Staff

September 18, 2008 Kit Hughes / Colorado State University 4 comments

A look at the unusual similarities between two otherwise incredibly disparate shows.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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FLOW
lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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