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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 3.06

Reflections on Katrina in Brazil

November 18, 2005 Vicki Mayer / Tulane University 2 comments

by: Vicki Mayer / Tulane University
Vicki Mayer watches New Orleans endure Hurricane Katrina while on sabbatical in the Amazon.

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Editorial: Why The Amazing Race: Family Edition Doesn’t Suck

November 18, 2005 Joanna Slimmer / University of Texas at Austin 8 comments

by: Joanna Slimmer / FLOW Staff
Formal innovations and family drama…Who cares where they go next?

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Comedy is a Woman in Trouble

November 18, 2005 Heather Hendershot / Queens College 9 comments

by: Heather Hendershot / Queens College
Questioning Comedy Central’s fixation on the male audience.

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We Are So Screwed: Invasion TV

November 18, 2005 Derek Kompare / Southern Methodist University 3 comments

by: Derek Kompare / Southern Methodist University
Making sense of the supernatural on prime-time.

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Irony Irony: The Mission (Accomplished) of The Daily Show

November 18, 2005 David Lavery / Brunel University 9 comments

by: David Lavery / Middle Tennessee State University
Sham or not, The Daily Show remains deeply committed to its mission: “truthiness.”

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When I Grow Up I Want to Be a Boy: Transgeneration‘s Meditation on the “Real”

November 18, 2005 Shana Agid / Sarah Lawrence College 3 comments

by: Shana Agid / Sarah Lawrence College
Thoughts on Transgeneration and TV’s quest to create a viable “normal” transgender person.

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War, “Incendiary Media,” and International Law (Part II)

November 18, 2005 John Nguyet Erni / City University of Hong Kong 2 comments

by: John Nguyet Erni / City University of Hong Kong
The second of a three part series on media and warfare from a human rights perspective, this column explores the human rights norms that justify the legality of media intervention.

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The Cost of Not Selling Out

November 18, 2005 Tom McCourt / Fordham University 5 comments

by: Tom McCourt / Fordham University
In an age when TV ads are the new radio, what does it take to avoid selling out?

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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