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John Nguyet Erni / City University of Hong Kong

John Nguyet Erni is Associate Professor of Media & Cultural Studies in the Department of English and Communication, City University of Hong Kong. He is author of Unstable Frontiers: Technomedicine and the Cultural Politics of “Curing”? AIDS (University of Minnesota Press, 1994), editor of a special issue of Cultural Studies entitled “Becoming (Postcolonial) Hong Kong” (2001), and co-editor of two new books Internationalizing Cultural Studies: An Anthology and Asian Media Studies: The Politics of Subjectivities (both from Blackwell, 2005). He has just completed a Master of Laws in Human Rights at the University of Hong Kong.

War, “Incendiary Media,” and International Law (Part III)

January 26, 2006 John Nguyet Erni / City University of Hong Kong One comment

by: John Nguyet Erni / City University of Hong Kong
The conclusion of a series on media intervention, this column questions the ways that media intervention and re-development has been practiced in post-conflict Iraq.

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War, “Incendiary Media,” and International Law (Part II)

November 18, 2005 John Nguyet Erni / City University of Hong Kong 2 comments

by: John Nguyet Erni / City University of Hong Kong
The second of a three part series on media and warfare from a human rights perspective, this column explores the human rights norms that justify the legality of media intervention.

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War, Incendiary Media, and International Law (Part I)

September 23, 2005 John Nguyet Erni / City University of Hong Kong 4 comments

by: John Nguyet Erni / City University of Hong Kong
The first of a three part series on media and warfare from a human rights perspective, this column focuses on defining what media/information intervention is.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
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flowtv FLOW @flowtv ·
5 Jan

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness.

Read it here: http://tinyurl.com/3usj4n4w

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flowtv FLOW @flowtv ·
30 Dec

In "K-pop Beyond the Trend" Dr. Crystal Anderson explores how K-pop music maintains relevance beyond the cultural moment, unlike the fast trending nature of other popular Korean music genres.

Read it here: http://tinyurl.com/bdmx3vfw

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26 Dec

In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies.

Read it here: http://tinyurl.com/3tjkm5kt

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23 Dec

Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems.

Read it here: http://tinyurl.com/3vyahe9b

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