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A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

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Category: 3.05

The Worst Happened

November 4, 2005 Cynthia Fuchs / George Mason University 7 comments

by: Cynthia Fuchs / George Mason University
While remaining largely unnoticed, Discovery Times’ Off to War provides a much needed perspective on the war in Iraq.

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Editorial: Mommy, Where do Presidents Come From?

November 4, 2005 Kristen Grant / FLOW Staff 4 comments

by: Kristen Grant / Flow Staff
Scrape off the generous slathering of Velveeta and Commander in Chief reveals itself to be less about who we want the president to be than what we want them to be.

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TV in the Season of Compassion Fatigue

November 4, 2005 Diane Negra / University College Dublin 2 comments

by: Diane Negra / University of East Anglia
What, ultimately, drives the production and consumption of television disaster coverage?

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TV Revisiting TV: Why TV Does the “Remake” Better than Movies Do

November 4, 2005 Sharon Ross / Columbia College Chicago 4 comments

by: Sharon Ross / Columbia College Chicago
How film remakes TV, and how TV remakes TV, too.

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Television and the Work of Mourning

November 4, 2005 Tim Anderson / Denison University 3 comments

by: Tim Anderson / Denison University
How do we cope with the loss of our favorite television shows?

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Laughs and Legends, or the Furniture that Glows?: Television as History

November 4, 2005 John Hartley / Queensland University of Technology, Australia 10 comments

by: John Hartley / Queensland College of Technology
How do we write television as history?

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When Mullahs Ride the Airwaves: Muslim Televangelists and the Saudi Connection

November 4, 2005 Nabil Echchaibi / Indiana University-Bloomington 5 comments

by: Nabil Echchaibi / Indiana University-Bloomington
An examination of Irqa’ TV’s role in the promotion of Islam in a post-9/11 media landscape.

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Awkward Conversations About Uncomfortable Laughter

November 4, 2005 Henry Jenkins / Massachusetts Institute of Technology 69 comments

by: Henry Jenkins / Massachusetts Institute of Technology
Is Sarah Silverman making racist jokes, or jokes about racism?

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “'It's Not Dark Humor If It's Not Your Trauma - You're Just Bad People': The Exploitive Nature of TikTok Meme Cultures
Moa Eriksson Krutrök / Umeå University, Sweden

Over*Flow: The Costs of Hope in The Chair and The Bold Type
Kelly Coyne / Northwestern University

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lcbrown91Laura Brown@lcbrown91·
31 May

It was an absolute pleasure to helm @FlowTV with @ashdharcourt this year! The biggest of thanks to our contributors, staff, and supporters! https://twitter.com/FlowTV/status/1531636621275058176

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FlowTVFLOW@FlowTV·
31 May

That’s a wrap on Volume 28. Shout out to our wonderful contributors and staff this past year. Also, be on the lookout out for our grad student issue that goes live in August!

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FlowTVFLOW@FlowTV·
30 May

Nicole Erin Morse examines how The Matrix (1999) interrupts and deconstructs the male gaze. @cinefeminism

Read the full column at:
https://www.flowjournal.org/2022/05/were-you-looking-at-the-woman-in-the-red-dress/

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