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Category: 22.07

Miniskirts and Wigs: The Gender Politics of Cross-Dressing on Lip Sync Battle
Britta Hanson / University of Texas at Austin

July 5, 2016 Britta Hanson 9 comments

Britta Hanson examines the politics of cross-dressing and gender-bending performance on the popular show Lip Sync Battle, which ultimately contains such performances and reifies heteronormative gender roles.

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A Part and Apart: Hawaii and Domestic Satellite Broadcasting, 1967-1971
Selena Dickey / University of Texas Austin

July 5, 2016 Selena Dickey / Furman University One comment

Selena Dickey analyzes the way industry rhetoric shaped understandings of new telecommunication satellite technology and Hawaii’s regional identity, often configured as both a part of the domestic and apart from it.

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Games Done Quick: Performing Live for Charity
Kaitie Hilburn / University of Texas at Austin

July 5, 2016 Kaitie Hilburn Leave a comment

Kaitie Hilburn examines the dual role of gamers as both performers and audience within the speedrunning community using the charity marathon Games Done Quick as a case study.

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Player Two Wins: Announce Your Game Second
Cameron Lindsey / University of Texas at Austin

July 5, 2016 Cameron Lindsey One comment

The reveal trailers for Call of Duty: Infinite Warfare and Battlefield 1 have become the most disliked and liked trailers on YouTube, respectively. Cameron Lindsey thinks this says less about the games themselves, and more about the marketing.

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A Girl Divided: the Fragmented Shōjo in Perfect Blue
Dylan Levy / University of Texas at Austin

July 5, 2016 Dylan Levy 3 comments

Dylan Levy examines the shōjo image through the character Mima and her alter-ego in Satoshi Kon’s Perfect Blue .

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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