Skip to content

Flow

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • How to Contribute
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Category: 2.10

The Commitments

August 5, 2005 Daniel Marcus / Goucher College 7 comments

by: Daniel Marcus / Goucher College
For better or worse, contemporary TV dramas ask a lot of their audiences.

Read more

The Value of Lost, Part Two

August 5, 2005 Jason Mittell / Middlebury College 10 comments

by: Jason Mittell / Middlebury College
Building on his last column, Jason Mittell offers up a gripping example of evaluative criticism to support his claim that “Lost is the best show on American broadcast TV.

Read more

Television’s Aesthetic of Dead-Ness

August 5, 2005 Dana Polan / New York University Leave a comment

by: Dana Polan / New York University
On “Jumping the Shark” and other ways popular culture frustrates and reneges on its promises.

Read more

The Televisual Tour de France on OLN: Confessions of a “Cynic”

August 5, 2005 Walter Metz / Montana State University at Bozeman 4 comments

by: Walter Metz / Montana State University-Bozeman
For Metz, Lance Armstrong winning an unprecedented seven Tours de France is not a matter of national pride.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

Classifying Dahmer: Protecting Netflix’s Homonormative Canon
Dan Vena / Queen’s University & Sarah Woodstock / University of Toronto

"I’m the Industry Baby”: The Political Economy of Lil Nas X
Wendy Peters / Nipissing University

@FlowTV Conversations…

@FlowTVFollow

FLOW
FlowTVFLOW@FlowTV·
27 Jan

New to Over*Flow: Dan Vena and Sarah Woodstock argue that Netflix’s removal of Dahmer – Monster: The Jeffrey Dahmer Story from its LGBTQ TV category discards “unacceptable” queer history and protects the homonormativity of Netflix’s LGBTQ library.
https://www.flowjournal.org/2023/01/overflow-classifying-dahmer/

Reply on Twitter 1619092430342733828Retweet on Twitter 1619092430342733828Like on Twitter 16190924303427338282Twitter 1619092430342733828
FlowTVFLOW@FlowTV·
21 Jan

Check out this call for papers from our colleagues! 10 days until submissions are due.

Reply on Twitter 1616898930687500288Retweet on Twitter 1616898930687500288Like on Twitter 1616898930687500288Twitter 1616898930687500288
FlowTVFLOW@FlowTV·
13 Jan

Hey folks! We are officially extending this CFP until Sunday, January 15

Looking forward to reading your submissions!

Reply on Twitter 1613921267521884164Retweet on Twitter 16139212675218841644Like on Twitter 16139212675218841643Twitter 1613921267521884164
Load More...

Popular Posts

  • The Devil in the Details: User Tracking Is Hurting More Than Our Privacy, It’s Doing Serious Damage to Public-Interest Media, Too.
    Josh Braun / UMass Amherst
    February 22, 2019 277 comments
  • Pass the Remote: Online News

    June 10, 2005 197 comments
  • Legal Fictions

    June 10, 2005 154 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 101 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 97 comments

Tags

Advertising American Politics Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Globalization Global Media Global Politics Industry Masculinity Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media streaming Technology Television UK Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Whiteness Youth Culture